David Manzur /

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Bibliographic Details
Author / Creator:Manzur, David, artist.
Edition:First edition.
Imprint:Milan : Skira, 2022.
Description:373 pages (some folded) : color illustrations ; 31 cm
Language:English
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/13126634
Hidden Bibliographic Details
Other authors / contributors:Viola, Eugenio, writer of added content.
Gribaudo, Paola, editor.
ISBN:9788857242637
8857242633
Notes:Includes bibliographical references (page 371).
Summary:David Manzur is known for his compositions of timeless beauty, featuring meticulously rendered figures based on classical ideals of drawing and proportion. His figures inhabit imaginative spaces since the artist does not wish to elicit a nostalgic longing for the past. Instead, he aims to propose an argument for classical ideals in the discourse of contemporary artistic practices and values. Therefore, his work could be called anachronistic, even if the most appropriate definition would be to consider him an art historian: centuries of art reverberate from Manzur's enigmatic paintings. His artistic research exemplifies the most provocative act: how art history's most ancient yet persistent medium can still critically deal with our contemporary age.
Description
Summary:As a young artist, Manzur experimented with Expressionism and abstraction, but he eventually found his true passion for figurative painting. He was inspired by multiple sources including Spanish Baroque artists such as Velázquez, Zurbarán and Sánchez Cotán; 19th-century American Realists like William Harnett and John F. Peto; and Italian Renaissance artists, with whom he shares the love for the human figure. Early in his career, he developed a personal style characterized by a masterful draftsmanship, a dramatic almost theatrical use of light and color, and the juxtaposition of volumes and transparencies. His subject matter has varied over the years. From still-lives to religious characters, from portraiture to equine representations, his paintings depict staged scenes that combine reality and fantasy in an oneiric atmosphere. Most recently, his series Obra Negra focuses on three main themes: the ghostly horse, the bull and the woman in red. These monumental canvases, in which he uses a sort of assemblage to attain volume, result in compelling images that are, by far, his most magnificent to date.
Physical Description:373 pages (some folded) : color illustrations ; 31 cm
Bibliography:Includes bibliographical references (page 371).
ISBN:9788857242637
8857242633