Is Byzantine studies a colonialist discipline? : toward a critical historiography /
Saved in:
| Imprint: | University Park, Pennsylvania : The Pennsylvania State University Press, [2023] |
|---|---|
| Description: | xvi, 200 pages : illustrations ; 22 cm. |
| Language: | English |
| Series: | ICMA books. Viewpoints |
| Subject: | |
| Format: | Print Book |
| URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/13141897 |
Table of Contents:
- List of Illustrations
- Preface: The Historical Conjuncture
- Introduction: For a Critical Historiography of Byzantine Studies
- Part I. How is Byzantine Studies (Re)Produced?
- 1. Hieronymus Wolf's Silver Tongue: Early Byzantine Scholarship at the Intersection of Slavery, Colonialism, and the Crusades
- 2. Byzantine Archaeology: Teaching the Tenth and the Twentieth Centuries
- 3. Byzantium in Exile
- Part 2. How is Byzantium (Re)produced?
- 4. Methodological Imperialism
- 5. The Price of Admission
- 6. Byzantine Studies: A Field Ripe for Disruption
- 7. Subaltern Byzantinism
- Part 3. How are Byzantine Texts (Re)produced?
- 8. Byzantine and Western Narratives: A Dialogue of Empires
- 9. The Ethnic Process
- 10. Publication and Citation Practices: Enclosure, Extractivism, and Gatekeeping in Byzantine Studies
- Part 4. How is Byzantine Art (Re)produced?
- 11. The South Kensington Museum, Byzantine Egyptian Textiles, and Art-Historical Imperialism
- 12. From Ethnographic Illustration to Aphrodisian Magistrate: Changing Perceptions of an Early Byzantine Portrait
- 13. Expanding and Decentering Byzantium: The Acquisition of an Ethiopian Double-Sided Gospel Leaf
- 14. Equity, Accessibility, and New Narratives for Byzantine Art in the Museum
- A Collective Bibliography Toward a Critical Historiography of Byzantine Studies
- List of Contributors
- Index
