The Comitán Valley : sculpture and identity on the Maya frontier /

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Bibliographic Details
Author / Creator:Earley, Caitlin, author.
Edition:First edition.
Imprint:Austin, TX : University of Texas Press, 2023.
©2023
Description:xiii, 211 pages : illustrations ; 27 cm.
Language:English
Series:Linda Schele series in Maya and pre-Columbian studies
Linda Schele series in Maya and pre-Columbian studies.
Subject:
Format: E-Resource Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/13148496
Hidden Bibliographic Details
ISBN:9781477327128
1477327126
9781477327135
9781477327142
Notes:Includes bibliographical references and index.
Summary:"The Comitán Valley sits in what is now the state of Chiapas, Mexico, but a thousand years ago it was the western fringe of the Maya empire. The art in Comitán looks different from the art found in the nearest Maya capitals like Palenque and Yaxchilan, but also incorporates essential Maya techniques and ideas. For many years, those who bothered to study the art of Comitán, particularly the more than 100 large, carved stone sculptures, were confused, "as if local artists were somehow unable to grasp the tenets of Maya sculpture. This book suggests that those unusual artistic elements are not the result of the misunderstanding of Maya artistic canons--instead, they represent the active appropriation and manipulation of those canons. Artists in the Comitán Valley created sculptures with unique combinations of the widespread and the local, and those sculptures played a meaningful role in the creation of identity at each area center." This book looks at the stelae in the four major cities of ancient Comitán: Tenam Puente, Tenam Rosario, Chinkultic, and Quen Santo. Interestingly, the art was distinct at each place. At Tenam Puente, artists favored the depiction of warrior kings, bolstering the site's position as a local economic power. At Tenam Rosario, sculpture revolved around the Maya ballgame, while sculptors from Chinkultic prioritized representations of ritual. The monuments of Quen Santo depict ancestors and were placed deep inside caves beneath the city. "As a group, these sites showcase diverse approaches to the creation and display of sculpture, making this area an ideal place to study innovation in Maya art." It also supports the author's ideas about how sculpture helped create local identity. Many of these sculptures in this book, including some from each site, will be illustrated for the first time. Finally, the art in Comitán offers new ideas and support about the collapse of the Maya. Unlike other parts of the Maya world, in Comitán the collapse did not lead to a complete cessation of sculpture-making, and existing sculptures were sometimes reconceived rather than abandoned"--
Other form:Online version: Earley, Caitlin. Comitán Valley. First edition Austin : University of Texas Press, 2023 9781477327135

MARC

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100 1 |a Earley, Caitlin,  |e author. 
245 1 4 |a The Comitán Valley :  |b sculpture and identity on the Maya frontier /  |c Caitlin C. Earley. 
250 |a First edition. 
264 1 |a Austin, TX :  |b University of Texas Press,  |c 2023. 
264 4 |c ©2023 
300 |a xiii, 211 pages :  |b illustrations ;  |c 27 cm. 
336 |a text  |b txt  |2 rdacontent 
337 |a unmediated  |b n  |2 rdamedia 
338 |a volume  |b nc  |2 rdacarrier 
490 1 |a Linda Schele series in Maya and pre-Columbian studies 
504 |a Includes bibliographical references and index. 
505 0 |a The edge of the Maya world : an introduction -- Kings and captives at Tenam Puente -- Bodies in the ballcourt : art and identity at Tenam Rosario -- Rulers and ritual at Chinkultic -- Art and the ancestors at Quen Santo -- Transformation : Comitán and the Postclassic -- Conclusion : frontiers, identity, and the Comitán style. 
520 |a "The Comitán Valley sits in what is now the state of Chiapas, Mexico, but a thousand years ago it was the western fringe of the Maya empire. The art in Comitán looks different from the art found in the nearest Maya capitals like Palenque and Yaxchilan, but also incorporates essential Maya techniques and ideas. For many years, those who bothered to study the art of Comitán, particularly the more than 100 large, carved stone sculptures, were confused, "as if local artists were somehow unable to grasp the tenets of Maya sculpture. This book suggests that those unusual artistic elements are not the result of the misunderstanding of Maya artistic canons--instead, they represent the active appropriation and manipulation of those canons. Artists in the Comitán Valley created sculptures with unique combinations of the widespread and the local, and those sculptures played a meaningful role in the creation of identity at each area center." This book looks at the stelae in the four major cities of ancient Comitán: Tenam Puente, Tenam Rosario, Chinkultic, and Quen Santo. Interestingly, the art was distinct at each place. At Tenam Puente, artists favored the depiction of warrior kings, bolstering the site's position as a local economic power. At Tenam Rosario, sculpture revolved around the Maya ballgame, while sculptors from Chinkultic prioritized representations of ritual. The monuments of Quen Santo depict ancestors and were placed deep inside caves beneath the city. "As a group, these sites showcase diverse approaches to the creation and display of sculpture, making this area an ideal place to study innovation in Maya art." It also supports the author's ideas about how sculpture helped create local identity. Many of these sculptures in this book, including some from each site, will be illustrated for the first time. Finally, the art in Comitán offers new ideas and support about the collapse of the Maya. Unlike other parts of the Maya world, in Comitán the collapse did not lead to a complete cessation of sculpture-making, and existing sculptures were sometimes reconceived rather than abandoned"--  |c Provided by publisher. 
650 0 |a Maya sculpture  |z Mexico  |z Chiapas. 
650 0 |a Stele (Archaeology)  |z Mexico  |z Chiapas. 
650 0 |a Maya sculpture  |x Social aspects  |z Mexico  |z Chiapas. 
650 0 |a Stele (Archaeology)  |x Social aspects  |z Mexico  |z Chiapas. 
651 0 |a Chiapas (Mexico)  |x Antiquities. 
650 7 |a Antiquities.  |2 fast  |0 (OCoLC)fst00810745 
650 7 |a Maya sculpture.  |2 fast  |0 (OCoLC)fst01012743 
650 7 |a Stele (Archaeology)  |2 fast  |0 (OCoLC)fst01132941 
651 7 |a Mexico  |z Chiapas.  |2 fast  |0 (OCoLC)fst01202769 
776 0 8 |i Online version:  |a Earley, Caitlin.  |t Comitán Valley.  |b First edition  |d Austin : University of Texas Press, 2023  |z 9781477327135  |w (DLC) 2022026749 
830 0 |a Linda Schele series in Maya and pre-Columbian studies. 
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928 |t Library of Congress classification  |a F1435.3.S34E27 2023  |l JRL  |c JRL-Gen  |i 13288469 
927 |t Library of Congress classification  |a F1435.3.S34E27 2023  |l JRL  |c JRL-Gen  |e HESM  |b 118537656  |i 10503392