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13150050 |
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230314s2023 nyua b 001 0 eng |
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20230807154257.2 |
| 010 |
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|a 2022060624
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| 035 |
|
9 |
|a (GOBI)40031829874
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| 040 |
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|a LBSOR
|b eng
|e rda
|c DLC
|d OCLCF
|d UKMGB
|d YDX
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| 019 |
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|a 1374190836
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| 020 |
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|a 9780197621714
|q paperback
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| 020 |
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|a 0197621716
|q paperback
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| 020 |
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|a 9780197621707
|q hardcover
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| 020 |
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|a 0197621708
|q hardcover
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| 020 |
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|z 9780197621738
|q electronic book
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| 020 |
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|z 9780197621745
|q electronic book
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| 035 |
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|a (OCoLC)1374190972
|z (OCoLC)1374190836
|
| 042 |
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|a pcc
|
| 050 |
0 |
0 |
|a PN1993.5.A1
|b M69 2023
|
| 082 |
0 |
0 |
|a 791.4309
|2 23/eng/20230413
|
| 245 |
0 |
4 |
|a The moving form of film :
|b historicising the medium through other media /
|c edited by Lúcia Nagib and Stefan Solomon.
|
| 264 |
|
1 |
|a New York, NY :
|b Oxford University Press,
|c [2023]
|
| 300 |
|
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|a xvii, 322 pages :
|b illustrations ;
|c 24 cm
|
| 336 |
|
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|a text
|b txt
|2 rdacontent
|
| 337 |
|
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|a unmediated
|b n
|2 rdamedia
|
| 338 |
|
|
|a volume
|b nc
|2 rdacarrier
|
| 504 |
|
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|a Includes bibliographical references and index.
|
| 505 |
0 |
|
|a Hegel, cinema and the other arts / Alain Badiou -- One-dimensional man? A reply to Alain Badiou / James Hellings -- Hybrid variations on an intermedial theme / Robert Stam -- Parallax historiography and metareference : the intramedial case of Nagasaki Shunichi's Heart, Beating in the Dark / Mark Player -- Intermediality and the carousel slide projector / Julian Ross -- Up the junction, intermediality and social change / Sarah Street -- When the past is present : digital cinema and the philosophical toys of pre-cinema / Ismail Xavier -- Panoramic Views, planetary visions : an intermedial analysis of Medium Earth and Walden / Tiago de Luca -- Elemental intermedia / Stefan Solomon -- Cinema from the perspective of the stage: for an integrated history of theatrical entertainment in Brazil / Luciana Corrêa de Araújo -- Flamenco on screen : the intermedial legacy of Carmen Amaya in Bajarí / Albert Elduque -- Impurity and identification : historicising Chinese cinema through the opera / Cecília Mello -- Historicising the story through film and music : an intermedial reading of Heimat 2 / Lúcia Nagib -- Stephen Dwoskin, an intermedial artist / Rachel Garfield, Jenny Chamarette and Darragh O'Donoghue -- Intermedial voices : intersections in feminist sound and moving image / Claire M. Holdsworth -- Entanglements of intermediality : Polanski, Pinter, Steptoe and Son / Jonathan Bignell -- The intermedial reworking of history in Peter Greenaway's The Tulse Luper Suitcases trilogy / Fátima Chinita.
|
| 520 |
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|a "This book charts the ways in which intermediality - the crossing of borders between film and other arts and media - can provide an encompassing, inclusive and non-teleological understanding of film history. Moving across diverse approaches, technologies, national contexts and artistic styles, the collection depicts a clear as much as complex trajectory of cinematic phenomena according to the medial and artistic interactions they require and produce. Visions of the 'evolution' of cinema have traditionally hinged on the axis of World War II that separates so-called 'classical' Hollywood cinema from a purported 'modern' European-style production, a scheme that subjects the entire world to the cinematic history of two hegemonic centres. In turn, histories of film as a technological medium have focused on the specificity of cinema as it gradually separated from the other art and medial forms at its base - theatre, dance, fairground spectacle, painting, literature, still photography and other pre-cinematic modes. Taking an ambitious step forward with relation to these theories, this book places its bet on the fluid quality of the film form itself. In so doing, it opens up to an array of exciting and often neglected artistic expressions worldwide as they permeate and interconnect films across temporal, geographical and cultural borders. By observing the ebb and flow of film's contours within the bounds of other artistic and medial expressions, this collection aspires to establish a flexible historical platform for the moving form of film, posited, from production to consumption, as a transforming and transformative medium"--
|c Provided by publisher.
|
| 650 |
|
0 |
|a Motion pictures
|x Historiography.
|
| 650 |
|
0 |
|a Motion pictures
|x Philosophy.
|
| 650 |
|
0 |
|a Motion pictures
|x Aesthetics.
|
| 650 |
|
0 |
|a Historicism.
|
| 650 |
|
0 |
|a Intermediality.
|
| 650 |
|
7 |
|a Historicism.
|2 fast
|0 (OCoLC)fst00958216
|
| 650 |
|
7 |
|a Intermediality.
|2 fast
|0 (OCoLC)fst01744695
|
| 650 |
|
7 |
|a Motion pictures
|x Aesthetics.
|2 fast
|0 (OCoLC)fst01027288
|
| 650 |
|
7 |
|a Motion pictures
|x Historiography.
|2 fast
|0 (OCoLC)fst01027330
|
| 650 |
|
7 |
|a Motion pictures
|x Philosophy.
|2 fast
|0 (OCoLC)fst01027348
|
| 700 |
1 |
|
|a Nagib, Lúcia,
|d 1956-
|e editor.
|
| 700 |
1 |
|
|a Solomon, Stefan,
|d 1986-
|e editor.
|
| 776 |
0 |
8 |
|i Online version:
|t Moving form of film
|d New York, NY : Oxford University Press, [2023]
|z 9780197621738
|w (DLC) 2022060625
|
| 929 |
|
|
|a cat
|
| 999 |
f |
f |
|s ec3413fe-2128-474c-9218-cb15f9e7a6f4
|i 6a7f44e5-f4cc-4206-93cc-bb72117beba7
|
| 928 |
|
|
|t Library of Congress classification
|a PN1993.5.A1M69 2023
|l JRL
|c JRL-Gen
|i 13290091
|
| 927 |
|
|
|t Library of Congress classification
|a PN1993.5.A1M69 2023
|l JRL
|c JRL-Gen
|e SHAP
|b 118759826
|i 10504992
|
