Top eight : how MySpace changed music /
Saved in:
Author / Creator: | Tedder, Michael, author. |
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Imprint: | Chicago, Illinois : Chicago Review Press, [2023] ©2023 |
Description: | xxiii, 375 pages ; 24 cm |
Language: | English |
Subject: | |
Format: | Print Book |
URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/13158306 |
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LEADER | 00000cam a2200000 i 4500 | ||
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001 | 13158306 | ||
008 | 230728t20232023ilu b 000 0 eng d | ||
005 | 20230913150106.9 | ||
035 | 9 | |a (GOBI)40031901591 | |
040 | |a NjBwBT |b eng |e rda |c JBL |d JBL |d NYP |d OCLCQ |d IJ5 | ||
020 | |a 9781641606585 |q (hardcover) | ||
020 | |a 1641606584 |q (hardcover) | ||
035 | |a (OCoLC)1391331170 | ||
050 | 1 | 4 | |a ML3790 |b .T43 2023 |
082 | 0 | 4 | |a 780.285/4678 |2 23/eng/20230725 |
100 | 1 | |a Tedder, Michael, |e author. | |
245 | 1 | 0 | |a Top eight : |b how MySpace changed music / |c Michael Tedder. |
246 | 3 | |a Top 8 | |
246 | 3 | 0 | |a How MySpace changed music |
264 | 1 | |a Chicago, Illinois : |b Chicago Review Press, |c [2023] | |
264 | 4 | |c ©2023 | |
300 | |a xxiii, 375 pages ; |c 24 cm | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a unmediated |b n |2 rdamedia | ||
338 | |a volume |b nc |2 rdacarrier | ||
504 | |a Includes bibliographical references (pages 367-375). | ||
520 | |a "In extensive interviews with scene pioneers and mainstays including Chris Carrabba (Dashboard Confessional), Geoff Rickly (Thursday), Frank Iero (My Chemical Romance), Gabe Saporta (Midtown/Cobra Starship), and Max Bemis (Say Anything), veteran music journalist Michael Tedder has crafted a once-in-a-generation exploration of emo and The Scene that is as forthright as it is tenderly nostalgic, taking to task the elements of toxic masculinity and crass consumerism that bled out of the early 2000s cultural milieu and ultimately led to the implosion of emo's first home and the best social media network, MySpace. When MySpace thrived, the Internet was still fun. Top Eight recalls the excitement and freedom of the era, an unprecedented time when a generation of fans were able to connect directly with the bands and musicians they idolized, from Colbie Caillat to Lil Jon. MySpace changed everything, and Top Eight gives major voices of the era the chance to tell us why it couldn't last"-- |c Provided by publisher | ||
610 | 2 | 0 | |a MySpace (Firm) |
630 | 0 | 0 | |a MySpace.com. |
650 | 0 | |a Music |x Marketing. | |
650 | 0 | |a Emo (Music) |x History. | |
929 | |a cat | ||
999 | f | f | |s ed6d5d25-45b5-4df2-8c52-4bc72317c5a2 |i 37a47a5c-df43-4748-ad9a-2af9038aaba3 |
928 | |t Library of Congress classification |a ML3790.T43 2023 |l JRL |c JRL-Gen |i 13298628 | ||
927 | |t Library of Congress classification |a ML3790.T43 2023 |l JRL |c JRL-Gen |e BAGR |b 118688520 |i 10514070 |