Visual methodologies : an introduction to researching with visual materials /

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Bibliographic Details
Author / Creator:	Rose, Gillian, 1962- author.
Edition:	4th edition.
Imprint:	London : SAGE Publications Ltd, 2016. ©2016
Description:	xxiii, 432 pages : illustrations (some color) ; 25 cm
Language:	English
Subject:	Visual communication. Visual literacy. Qualitative research -- Methodology. Qualitative research -- Methodology. Visual communication. Visual literacy.
Format:	Print Book
URL for this record:	http://pi.lib.uchicago.edu/1001/cat/bib/13198886

Hidden Bibliographic Details
ISBN:	9781473948907 9781473948891 1473948894 1473948908 9781473967915
Notes:	Includes bibliographical references (pages 382-412) and indexes. committed to retain from JKM Seminaries Library 2023 JKM University of Chicago Library
Summary:	"Now in its Fourth Edition, Visual Methodologies: An Introduction to Researching with Visual Methodologies is a bestselling critical guide to the study and analysis of visual culture. Existing chapters have been fully updated to offer a rigorous examination and demonstration of an individual methodology in a clear and structured style. Reflecting changes in the way society consumes and creates its visual content, new features include: Brand new chapters dealing with social media platforms, the development of digital methods and the modern circulation and audiencing of research images. More 'Focus' features covering interactive documentaries, digital story-telling and participant mapping. A Companion Website featuring links to useful further resources relating to each chapter. A now classic text, Visual Methodologies appeals to undergraduates, graduates, researchers and academics across the social sciences and humanities who are looking to get to grips with the complex debates and ideas in visual analysis and interpretation."--Publisher.
Other form:	Ebook version : 9781473967915

Table of Contents:

Figures and Tables
About the Author
Acknowledgements
Preface: Introducing the Fourth Edition
An Introduction to Visual Methodologies
About the Companion Website
1. Researching with Visual Materials: A Brief Survey
1.1. An Introductory Survey of 'The Visual'
1.2. Understanding the Social Effects of Visual Materials
1.3. Three Criteria for a Critical Visual Methodology
Summary
Further Reading
2. Towards a critical visual methodology
2.1. Introducing the Four Sites of a Critical Visual Methodology: Production, the Image Itself, its Circulation and its Audiencing
2.2. The Site of Production
2.3. The Site of the Image
2.4. The Site of Circulation
2.5. The Site of Audiencing
Summary
Further Reading
3. How to use this book
3.1. Reading this Book Selectively on the Basis of Sites and Modalities
3.2. Reading this Book Selectively on the Basis of Having Found Some Images
3.3. Why You Should Also Read Books Other Than this One
3.4. How Each Chapter Works
3.5. A Quick Word on Finding Your Images
3.6. Another Quick Word, on Referencing and Reproducing Your Images
Companion Website
4. 'the Good Eye': Looking at Pictures Using Compositional Interpretation
4.1. Compositional Interpretation: An Introduction
4.2. Compositional Interpretation: Technologies and the Production of the Image
4.3. Compositional Interpretation: The Corapositionality of the Image Itself
4.4. Compositional Interpretation: An Assessment
Summary: Compositional Interpretation
Further Reading
Companion Website
5. Content Analysis and Cultural Analytics: Finding Patterns in What You See
5.1. Content Analysis and Cultural Analytics: An Introduction
5.2. Four Steps Co Content Analysis
5.3. Doing Cultural Analytics
5.4. Content Analysis and Cultural Analytics: An Assessment
Summary: Content Analysis
Further Reading
Companion Website
6. Semiology: Laying Bare the Prejudices beneath the Smooth Surface of the Visible
6.1. Semiology: An Introduction
6.2. Choosing Images for a Semiological Study
6.3. The Sign and its Meaning-Making Processes in Mainstream Semiology
6.4. Making Meaning Socially: Social Semiotics
6.5. Semiology: An Assessment
Summary: Semiology
Further Reading
Companion Website
7. Psychoanalysis: Visual Culture, Visual Pleasure, Visual Disruption
7.1. Psychoanalysis and Visuality: An Introduction
7.2. A Longer Introduction to Psychoanalysis and Visuality: Subjectivity, Sexuality and the Unconscious
7.3. How is Sexual Difference Visual 1: Watching Movies with Laura Mulvey
7.4. How is Sexual Difference Visual 2: From the Fetish to Masquerade
7.5. From the Voyeuristic Gaze to the Lacanian Gaze: Other Ways of Seeing
7.6. From the Disciplines of Subjection to the Possibilities of Fantasy
7.7. Queer Looks
7.8. Reflexivity
7.9. Psychoanalysis and Visuality: An Assessment
Summary: Psychoanalysis and Visuality
Further Reading
Companion Website
8. Discourse Analysis I: Text, Intertextuality and Context
8.1. Discourse and Visual Culture: An Introduction
8.2. Distinguishing Between Discourse Analysis I and Discourse Analysis II
8.3. Finding Your Sources for a Discourse Analysis I
8.4. Discourse Analysis 1: The Production and Rhetorical Organisation of Discourse
8.5. Discourse Analysis I and Reflexivity
8.6. Discourse Analysis I: An Assessment
Summary: Discourse Analysis I
Further Reading
Companion Website
9. Discourse Analysis II: Institutions and Ways of Seeing
9.1. Another Introduction to Discourse and Visual Culture
9.2. Finding Your Sources for Discourse Analysis II
9.3. The Apparatus of the Gallery and the Museum
9.4. The Technologies of the Gallery and the Museum
9.5. The Visitor
9.6. Discourse Analysis II: An Assessment
Summary: Discourse Analysis II
Further Reading
Companion Website
10. To Audience Studies and Beyond: Ethnographies of Audiences, Fans and Users
10.1. Audience Studies: An Introduction
10.2. Audiences, Fans and Users
10.3. Audience Studies Researching Audiences and Fans
10.4. Ethnographies of Visual Objects
10.5. Ethnographic Studies of Audiencing: An Assessment
Summary: Audience Studies
Further Reading
Companion Website
11. Digital Methods: Digital Images, Digitally Analysed
11.1. Digital Methods: An Introduction
11.2. How to Access Digital Objects for Digital Methods
11.3. Some of the Questions that Digital Methods Examining Digital Images Might Usefully Ask
11.4. What are the Ethical Issues Involved in Using Digital Methods?
11.5. Digital Methods: An Assessment
Summary: Digital Methods
Companion Website
12. Making Images as Research Data: Photo-Documentation and Photo-Elicitation
12.1. Making Images as Research Data: An Introduction
12.2. Photo-documentation
12.3. Photo-elicitation
12.4. Making Photographs as Research Data: An Assessment
Summary: Making images as Research Data
Further Reading
Companion Website
13. Using Images to Disseminate Research Findings: Circulation and Audiencing
13.1. Using Images to Disseminate Research; An Introduction
13.2. Data Visualisation
13.3. Photo-essays
13.4. Films and Videos
13.5. Multimedia Websites
13.6. Using Images to Disseminate Research: An Assessment
Summary: Using Images to Disseminate Research
Further Reading
Companion Website
14. Research Ethics and Visual Materials
14.1. Research Ethics and Visual Materials: An Introduction
14.2. Anonymity and Confidentiality
14.3. Consent
14.4. The Formal Framework: Regulations and Committees
14.5. Copyright
14.6. The Researcher's Own Moral Framework
14.7. Conclusions: Ethics, Visual Research and Contemporary Visual Culture
Summary: Research Ethics and Visual Materials
Further Reading
Companion Website
15. Visual Methodologies: A Review
15.1. Introduction
15.2. Sites, Modalities and Methods
15.3. Mixing Methods
Useful Reading on Various Visual Materials
Fine Art
Photography
Film
Advertising
Television
Mass Media
Digital Media
References
Key Terms
Name Index
Subject Index

Visual methodologies : an introduction to researching with visual materials /

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