Marina Abramović /

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Bibliographic Details
Imprint:	London : Royal Academy of Arts, [2023] ©2023
Description:	262 pages : illustrations (colour, and black and white) ; 30 cm
Language:	English
Subject:	Abramović, Marina -- Exhibitions. Abramović, Marina Performance art -- 21st century -- Exhibitions. Installations (Art) -- Exhibitions. Installations (Art) Performance art exhibition catalogs. Exhibition catalogs Exhibition catalogs.
Format:	Print Book
URL for this record:	http://pi.lib.uchicago.edu/1001/cat/bib/13289047

Hidden Bibliographic Details
Other uniform titles:	Abramović, Marina. Works. Selections. Tarsia, Andrea, Bray, Rebecca, Archey, Karen,
Other authors / contributors:	Royal Academy of Arts (Great Britain), host institution. Amsterdam (Netherlands). Stedelijk Museum, host institution. Kunsthaus Zürich, host institution. Muzeʼon Tel Aviv le-omanut, host institution. Kunstforum Wien, host institution.
ISBN:	9781912520411 1912520419
Notes:	"With Augmented Reality by AN ART APP"--Cover. First published on the occasion of the exhibition held at the Royal Academy of Arts, 23 September 2023 - 1 January 2024 ; Stedelijk Museum, Amsterdam, 16 March - 14 July 2024 ; Kunsthaus Zürich, October 2024 - February 2025 ; Tel Aviv Musuem of Art, March - August 2025 ; Kunstforum Wien, 2 October 2025 - 18 January 2026. Includes bibliographical references (pages 257-258) and index.
Summary:	"Over the past half century, Marina Abramović has earned worldwide acclaim as a pioneer of performance art. This new book records the first UK exhibition to include works from her entire career. Some of her best-known and most radical works appear alongside new works created especially for the exhibition. An augmented reality app for iOS and Android enables readers to watch films of Abramović's original performances while reading the book. An essential purchase for all followers of Abramović's extraordinary 50-year career, this important new publication brings expert voices into the debate that her ground-breaking work engenders. How far should an artist push herself in pursuit of her work? What role does the audience play in creating a performance? How can performance art outlive the moment in which it takes place?"--Publisher's description.

Table of Contents:

Foreword
Lead Supporter's Preface
Acknowledgements
Introduction
The Brutal Eloquence of Flesh and Blood: Early Performances of the 1970s
The Cut and the Line in Time
Marina Abramovic and Ulay: On Relation
Balkan Baroque: Death Wish Converted
Tools for Transcendence: The Transitory Objects
Bridging Between Worlds: Visible and Invisible Reality
Catalogue plates
With section introductions
1. Public Participation
2. Communist Body
3. Body Limits
4. Absence of the Body
5. Energy from Nature
6. Coming and Going
7. Private Archaeology
8. Dozing Consciousness
9. Spirit Body
10. Luminosity
Marina Abramovic, A Chronology
Endnotes
Selected Bibliography
Augmented Reality by AN Art
Photographic Acknowledgements
Index

Marina Abramović /

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