The possibility machine : music and myth in Las Vegas /

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Bibliographic Details
Imprint:Champaign, IL : University of Illinois Press, [2023]
Description:276 pages : illustrations ; 25 cm.
Language:English
Series:Music in American life
Music in American life.
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/13290521
Hidden Bibliographic Details
Varying Form of Title:Music and myth in Las Vegas
Other authors / contributors:Johnson, Jake, 1984- editor.
ISBN:9780252045417
0252045416
9780252087530
0252087534
9780252055010
Notes:Includes bibliographical references and index.
Summary:"At once a Technicolor wonderland and the embodiment of American mythology, Las Vegas exists at the Ground Zero of a reverence for risk-taking and the transformative power of a winning hand. Jake Johnson edits a collection of short essays and flash ideas that probes how music-making and soundscapes shape the City of Second Chances. Treating topics ranging from Cher to Cirque de Soleil, the contributors delve into how music and musicians factored in the early development of Vegas's image; the role of local communities of musicians and Strip mainstays in sustaining tensions between belief and disbelief; the ways aging showroom stars provide a sense of timelessness that inoculates visitors against the outside world; the link connecting fantasies of sexual prowess and democracy with the musical values of Liberace and others; considerations of how musicians and establishments gambled with identity and opened the door for audience members to explore Sin City-only versions of themselves; and the echoes and energy generated by the idea of Las Vegas as it travels across the country"--
Other form:Online version: Possibility machine Urbana : University of Illinois Press, [2023] 9780252055010
Table of Contents:
  • Preface
  • Introduction: Flash!-Splash
  • Part I. The Road to Vegas
  • 1. On the Edge of the Desert
  • 2. Reimagining the Popular on the Vegas Circuit: Helen Traubel, Diva Populism, and the Labor of Publicity
  • 3. It Was Better When the Mob Ran the Town
  • Part II. Overheard
  • 4. Music as Misdirection
  • 5. Presence, Absence, and Live Virtuality: Soundscapes in Cirque du Soleil on the Las Vegas Strip
  • 6. Pura Alegria: Young Adult Musicians Learning Mariachi in Schools and Participating in the Las Vegas Mariachi Scene
  • Part III. Second Chances
  • 7. The Master and the Mob: Noel Coward's Musical Identity in the Golden Age of Las Vegas
  • 8. Elvis in Vegas: The King of Rock 'n' Roll and the City of Second Chances
  • 9. Céline Dion's and Cher's Vegas Residencies: The Envoiced and Embodied Spectacle of Feminine Aging on the Vegas Stage
  • Part IV. Virtuoso Fantastique
  • 10. Viva Viagra: Vegas, Elvis, and a "Little Blue Pill"
  • 11. Shall We Go for It? The Viral Hermeneutics of Céline Dion's Las Vegas Show
  • 12. Liberace's Surfaces: Democratic Virtuosity, American Fantasies, and Vegas Pianism
  • Part V. Making Book
  • 13. Comedy Tonight: Broadway Musicals on the Las Vegas Strip
  • 14. "Trouble Is, We Don't Make the Rules": The Las Vegas Years of Jazz and Classical Violinist Ginger Smock
  • 15. "For Adult Audiences Only": A History of LGBTQ Performers on the Las Vegas Stage
  • Part VI. Leaving Vegas
  • 16. The Real Deal: Impersonation and the American Dream in Branson and Vegas
  • 17. Salaciously Family Friendly: The Unlikely Porousness of Sin City and the American Boob Tube
  • 18. Representation and Value in Michael Daugherty's Las Vegas Works
  • 19. Specters of Mine: Musicological Research in the Desert of the Opera
  • Contributors
  • Index