After tomorrow the days disappear : ghazals and other poems /

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Bibliographic Details
Author / Creator:Ḥasan Dihlavī, 1253 or 1254-approximately 1338.
Uniform title:Poems. Selections. English
Imprint:Evanston, Illinois : Northwestern University Press, 2016.
Description:1 online resource (xxvii, 109 pages.).
Language:English
Series:Northwestern World Classics
Northwestern world classics.
Subject:
Format: E-Resource Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/13430906
Hidden Bibliographic Details
Other authors / contributors:Gould, Rebecca Ruth.
ISBN:9780810132306
0810132303
9780810132313 (ebook)
Notes:Includes bibliographical references.
Summary:Hasan Sijzi is considered the originator of the Indo-Persian ghazal, a poetic form that endures to this day - from the legacy of Hasan's poetic descendent, Hafez, to contemporary Anglophone poets such as John Hollander, Maxine Kumin, Agha Shahid Ali, and W. S. Merwin. As with other Persian poets, Hasan worked within a highly regulated set of poetic conventions that brought into relief the interpenetration of apparent opposites - metaphysical and material, mysterious and quotidian, death and desire, sacred and profane, fleeting time and eternity. Within these strictures, he crafted a poetics that blended Sufi Islam with non-Muslim Indic traditions. Of the Persian poets who practiced the ghazal, Hafez and Rumi are best known, but their verse represents only a small fraction of a rich tradition. This collection reveals the geographical range of the literature while introducing an Indian voice that will find a place on readers' bookshelves alongside better known Iranian names.
Description
Summary:

Hasan Sijzi, also known as Amir Hasan Sijzi Dehlavi, is considered the originator of the Indo-Persian ghazal, a poetic form that endures to this day--from the legacy of Hasan's poetic descendent, Hafez, to contemporary Anglophone poets such as John Hollander, Maxine Kumin, Agha Shahid Ali, and W. S. Merwin.



As with other Persian poets, Hasan worked within a highly regulated set of poetic conventions that brought into relief the interpenetration of apparent opposites--metaphysical and material, mysterious and quotidian, death and desire, sacred and profane, fleeting time and eternity. Within these strictures, he crafted a poetics that blended Sufi Islam with non-Muslim Indic traditions. Of the Persian poets practiced the ghazal, Hafez and Rumi are best known to Western readers, but their verse represents only a small fraction of a rich tradition. This collection reveals the geographical range of the literature while introducing an Indian voice that will find a place on reader's bookshelves alongside better known Iranian names.

Physical Description:1 online resource (xxvii, 109 pages.).
Bibliography:Includes bibliographical references.
ISBN:9780810132306
0810132303
9780810132313