The day the dancers stayed : performing in the Filipino/American diaspora /

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Bibliographic Details
Author / Creator:Gonzalves, Theodore S., author.
Imprint:Philadelphia : Temple University Press, ©2010.
Description:1 online resource (xii, 215 pages)
Language:English
Subject:
Format: E-Resource Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/13451787
Hidden Bibliographic Details
ISBN:9781592137305
159213730X
9781592137282
1592137288
9781592137299
1592137296
Digital file characteristics:data file
Notes:Includes bibliographical references (pages 185-209) and index.
Print version record.
Summary:Pilipino Cultural Nights at American campuses have been a rite of passage for youth culture and a source of local community pride since the 1980s. Through performances-and parodies of them-these celebrations of national identity through music, dance, and theatrical narratives reemphasize what it means to be Filipino American. In The Day the Dancers Stayed, scholar and performer Theodore Gonzalves uses interviews and participant observer techniques to consider the relationship between the invention of performance repertoire and the development of diasporic identification.>
Other form:Print version: Gonzalves, Theodore S. Day the dancers stayed. Philadelphia : Temple University Press, 2010 9781592137282

MARC

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245 1 4 |a The day the dancers stayed :  |b performing in the Filipino/American diaspora /  |c Theodore S. Gonzalves. 
260 |a Philadelphia :  |b Temple University Press,  |c ©2010. 
300 |a 1 online resource (xii, 215 pages) 
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504 |a Includes bibliographical references (pages 185-209) and index. 
588 0 |a Print version record. 
505 0 |a Acknowledgments; Prologue; Introduction; 1. The Art of the State: Inventing Philippine Folkloric Forms (Manila, 1934); 2. ""Take It from the People"": Dancing Diplomats and Cultural Authenticity (Brussels, 1958); 3. Dancing into Oblivion: The Filipino Cultural Night (Los Angeles, 1983); 4. Repetitive Motion: The Mechanics of Reverse Exile (San Francisco, 1993); 5. Making a Mockery of Everything We Hold True and Dear: Exploring Parody with Tongue in a Mood's PCN Salute (San Francisco, 1997); Conclusion; Epilogue: Memoria; Notes; Bibliography; Index. 
520 |a Pilipino Cultural Nights at American campuses have been a rite of passage for youth culture and a source of local community pride since the 1980s. Through performances-and parodies of them-these celebrations of national identity through music, dance, and theatrical narratives reemphasize what it means to be Filipino American. In The Day the Dancers Stayed, scholar and performer Theodore Gonzalves uses interviews and participant observer techniques to consider the relationship between the invention of performance repertoire and the development of diasporic identification.> 
650 0 |a Folklore  |x Performance  |z Philippines. 
650 0 |a Folk dancing, Philippine.  |0 http://id.loc.gov/authorities/subjects/sh90000157 
650 0 |a Folk music  |z Philippines. 
650 0 |a National characteristics, Philippine.  |0 http://id.loc.gov/authorities/subjects/sh85089991 
650 0 |a Filipino Americans  |x History. 
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650 0 |a Filipinos.  |0 http://id.loc.gov/authorities/subjects/sh85048216 
650 6 |a Folklore  |x Interprétation  |z Philippines. 
650 6 |a Danse folklorique philippine. 
650 6 |a Philippins. 
650 6 |a Américains d'origine philippine  |x Histoire. 
650 6 |a Américains d'origine philippine  |x Mœurs et coutumes. 
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