Dramatizing Time in Twentieth-Century Fiction.

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Bibliographic Details
Author / Creator:Vesterman, William.
Imprint:Hoboken : Taylor and Francis, 2014.
Description:1 online resource (207 pages).
Language:English
Series:Routledge Studies in Twentieth-Century Literature
Routledge studies in twentieth-century literature.
Subject:
Format: E-Resource Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/13453115
Hidden Bibliographic Details
ISBN:9781317743668
1317743660
Notes:Print version record.
Summary:How have twentieth-century writers used techniques in fiction to communicate the human experience of time? Dramatizing Time in Twentieth-Century Fiction explores this question by analyzing major narratives of the last century that demonstrate how time becomes variously manifested to reflect and illuminate its operation in our lives. Offering close readings of both modernist and non-modernist writers such as Wodehouse, Stein, Lewis, Joyce, Hemingway, Faulkner, Borges, and Nabokov, the author shares and unifies the belief, as set forth by the distinguished philosopher Pau.
Other form:Print version: Vesterman, William. Dramatizing Time in Twentieth-Century Fiction. Hoboken : Taylor and Francis, ©2014 9781138015715

MARC

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505 0 |a Cover; Half Title; Title Page; Copyright Page; Table of Contents; Preface; Acknowledgments; Introduction: Thematicizing Time; 1 Plum Time in Everland: The Divine Comedy of P.G. Wodehouse; 2 Wyndham Lewis vs. Gertrude Stein: Classic Time vs. Romantic Time; 3 Choral Narrative and the Web of Time in Ulysses: From Romanticism to Modernism; 4 The Moment of Narrative Truth in The Sun Also Rises; 5 Coming to Terms with Time in Faulkner; 6 Particles and Waves in Borgesian Time; 7 The Technique of Time in Lolita; 8 A Pleromatic Reprise of the Book; References; Index. 
520 |a How have twentieth-century writers used techniques in fiction to communicate the human experience of time? Dramatizing Time in Twentieth-Century Fiction explores this question by analyzing major narratives of the last century that demonstrate how time becomes variously manifested to reflect and illuminate its operation in our lives. Offering close readings of both modernist and non-modernist writers such as Wodehouse, Stein, Lewis, Joyce, Hemingway, Faulkner, Borges, and Nabokov, the author shares and unifies the belief, as set forth by the distinguished philosopher Pau. 
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