Pre-Raphaelites : beauty and rebellion /

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Bibliographic Details
Author / Creator:Newall, Christopher, author.
Imprint:Liverpool : Liverpool University Press, [2016]
Description:1 online resource
Language:English
Subject:
Format: E-Resource Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/13454395
Hidden Bibliographic Details
Other authors / contributors:Bukantas, Ann, author.
ISBN:1781384614
9781781384619
9781781383032
1781383030
Notes:Includes bibliographical references and index.
Online resource, title from PDF title page (EBSCO, viewed October 16, 2016).
Summary:Fascinating new research into Pre-Raphaelite painters and collectors in Northern England positions Liverpool as the Victorian art capital of the north in Pre-Raphaelites: Beauty and Rebellion.

This catalogue accompanies the first exhibition to examine Liverpool{u2019}s role in the history of the Pre-Raphaelite movement. The exhibition will be held at the Walker Art Gallery, Liverpool, from 12 February to 5 June 2016, and is being produced by National Museums Liverpool, working with the specialist art historian Christopher Newall, whose insightful essays will feature in the book.

Containing new research on Pre-Raphaelite patrons and painters in Liverpool, including the collector John Miller and the artist John Ingle Lee, the book examines the relationship between artists like Ford Madox Brown and Rossetti with their Liverpool contemporaries, collectors, and the institutions that welcomed them, notably the forward-thinking Liverpool Academy. It will serve as an account of an important aspect of British artistic culture in the 19th century - and yet one for which there is no previous source of information.

It will also feature approximately 100 works from the exhibition.
Review by Choice Review

Though slim, this volume is packed with useful information about 19th-century British art. Published for the Walker Art Gallery (Liverpool, UK) and its parent organization, National Museums Liverpool, the volume catalogs an exhibition at the Walker on the contributions the Liverpool Academy of Arts and private patrons made, in the 19th century, in embracing the new style and subjects of the young Pre-Raphaelite painters. Liverpool was a prosperous commercial and manufacturing center in Victorian England, and as community leaders established Liverpool's cultural institutions, the city gained a degree of independence from London in the development of artistic tastes and support for art that was not at the center of the Victorian art world. The hyperrealistic details and the serious, moralizing subject matter of the young Pre-Raphaelites appealed to the mercantile character of the denizens of Liverpool, and their support for the young artists in the 1850s provided the movement with creative energy and financial resources at a critical stage. The presence of the Pre-Raphaelites in Liverpool in turn spawned a significant local school of landscape and genre painters, and Newall also examines this group. Summing Up: Recommended. Upper-division undergraduates through faculty and professionals. --William Steven Bradley, Colorado Mesa University

Copyright American Library Association, used with permission.
Review by Choice Review