The Cantigas de Santa Maria : power and persuasion at the Alfonsine court /

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Bibliographic Details
Author / Creator:Drummond, Henry T. (Henry Thomas), 1989- author.
Imprint:New York : Oxford University Press, [2023]
Description:xlvii, 255 pages : illustrations (black and white) ; 25 cm.
Language:English
Series:The new cultural history of music
New cultural history of music.
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/13497809
Hidden Bibliographic Details
ISBN:9780197670590
0197670598
9780197670606
9780197670620
Notes:Includes bibliographical references and index.
Summary:"Alfonso X (1221-84) ruled over the Crown of Castile from 1252 until his death. Known as "the Wise," he oversaw the production of a wealth of literature in his scriptorium. One of the most impressive of these literary outputs is the collection of songs known as the Cantigas de Santa Maria, which by most counts, comprises 429 songs preserved in four manuscripts. The miracle songs (or cantigas de miragre) form the focus of this book. While the Cantigas have been the subject of much scholarly attention, only a handful of studies have looked at the repertory through an interdisciplinary lens. Fewer still have probed how the Cantigas use the power of song as a communicative medium, one that functions as a social tool within the erudite environment of the Alfonsine court. This book offers a new perspective to the song collection, probing how the Cantigas use their music and text, together with rhetorical devices, to communicate with their desired audience. Author Henry T. Drummond builds upon previous methodologies, adopting a novel and holistic assessment of the songs' melodies, poetic features, and narrative logic to assess a wide selection of songs. He presents a nuanced understanding of a song form that effectively conveys its narratives to its listeners via a diverse combination of tools, embracing medieval rhetoric, rhyme-based play, and song's inherent ludic potential. Such devices, Drummond argues, allow for the Cantigas to loom large as propaganda pieces, designed to dignify Alfonso X through an elaborately devised courtly ritual"--
Other form:Online version: Drummond, Henry T. (Henry Thomas) 1989- Cantigas de Santa Maria [1.] New York : Oxford University Press, 2023 9780197670606

MARC

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100 1 |a Drummond, Henry T.  |q (Henry Thomas),  |d 1989-  |e author. 
245 1 4 |a The Cantigas de Santa Maria :  |b power and persuasion at the Alfonsine court /  |c Henry T. Drummond. 
264 1 |a New York :  |b Oxford University Press,  |c [2023] 
300 |a xlvii, 255 pages :  |b illustrations (black and white) ;  |c 25 cm. 
336 |a text  |b txt  |2 rdacontent 
337 |a unmediated  |b n  |2 rdamedia 
338 |a volume  |b nc  |2 rdacarrier 
490 1 |a The new cultural history of music 
504 |a Includes bibliographical references and index. 
505 0 |a Songs of Persuasion -- Sung Rhetoric -- The Place of Rhyme -- Three Jewish Conversion Songs -- Cantigas and Image-Building -- Crusades and Kingship -- Epilogue. 
520 |a "Alfonso X (1221-84) ruled over the Crown of Castile from 1252 until his death. Known as "the Wise," he oversaw the production of a wealth of literature in his scriptorium. One of the most impressive of these literary outputs is the collection of songs known as the Cantigas de Santa Maria, which by most counts, comprises 429 songs preserved in four manuscripts. The miracle songs (or cantigas de miragre) form the focus of this book. While the Cantigas have been the subject of much scholarly attention, only a handful of studies have looked at the repertory through an interdisciplinary lens. Fewer still have probed how the Cantigas use the power of song as a communicative medium, one that functions as a social tool within the erudite environment of the Alfonsine court. This book offers a new perspective to the song collection, probing how the Cantigas use their music and text, together with rhetorical devices, to communicate with their desired audience. Author Henry T. Drummond builds upon previous methodologies, adopting a novel and holistic assessment of the songs' melodies, poetic features, and narrative logic to assess a wide selection of songs. He presents a nuanced understanding of a song form that effectively conveys its narratives to its listeners via a diverse combination of tools, embracing medieval rhetoric, rhyme-based play, and song's inherent ludic potential. Such devices, Drummond argues, allow for the Cantigas to loom large as propaganda pieces, designed to dignify Alfonso X through an elaborately devised courtly ritual"--  |c Provided by publisher. 
600 0 0 |a Alfonso  |b X,  |c King of Castile and Leon,  |d 1221-1284.  |t Cantigas de Santa María. 
650 0 |a Songs, Galician  |y 500-1400  |x History and criticism. 
650 0 |a Music  |x Social aspects  |z Spain  |x History  |y 500-1400. 
651 0 |a Spain  |x Court and courtiers  |x History  |y To 1500. 
650 6 |a Chansons galiciennes  |0 (CaQQLa)000292758  |y 500-1400  |0 (CaQQLa)201-0373671  |x Histoire et critique.  |0 (CaQQLa)201-0377571 
630 0 7 |a Cantigas de Santa María (Alfonso X, King of Castile and Leon)  |2 fast  |0 (OCoLC)fst01356533 
650 7 |a Courts and courtiers  |2 fast  |0 (OCoLC)fst00881829 
650 7 |a Music  |x Social aspects  |2 fast  |0 (OCoLC)fst01030444 
650 7 |a Songs, Galician  |2 fast  |0 (OCoLC)fst01126339 
651 7 |a Spain  |2 fast  |0 (OCoLC)fst01204303 
648 7 |a To 1500  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a History  |2 fast  |0 (OCoLC)fst01411628 
776 0 8 |i Online version:  |a Drummond, Henry T. (Henry Thomas) 1989-  |t Cantigas de Santa Maria  |b [1.]  |d New York : Oxford University Press, 2023  |z 9780197670606  |w (DLC) 2023007302 
830 0 |a New cultural history of music. 
929 |a cat 
999 f f |s 76dc0fe2-3cdd-405c-9436-c741b58b6479  |i 959bd44d-8b93-43ea-a417-3ee7595d94fb 
928 |t Library of Congress classification  |a ML180.D78 2023  |l JRL  |c JRL-Gen  |i 13640551 
927 |t Library of Congress classification  |a ML180.D78 2023  |l JRL  |c JRL-Gen  |e BAGR  |b 119108418  |i 10739417