Cecilia Vicuña : soñar el agua : una retrospectiva del futuro (1964-...) /
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| Author / Creator: | Vicuña, Cecilia, 1948-, artist. |
|---|---|
| Uniform title: | Works. Selections |
| Edition: | Primera edición. |
| Imprint: | Santiago de Chile : Museo de Bellas Artes, 2023. |
| Description: | 100 pages : illustrations (chiefly color) ; 23 cm. |
| Language: | English |
| Series: | Librillo MNBA ; 29 Librillo MNBA (Chile) ; 29. |
| Subject: | |
| Format: | Print Book |
| URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/13500102 |
MARC
| LEADER | 00000cam a2200000 4500 | ||
|---|---|---|---|
| 001 | 13500102 | ||
| 008 | 240202s2023 cl 000 s eng d | ||
| 005 | 20240725150657.7 | ||
| 035 | 9 | |a (KARNO)KARN120069 | |
| 035 | |a (OCoLC)1446528006 | ||
| 040 | |a HKB |b eng |c HKB |e rda | ||
| 090 | |a N6669.V477 |b A4 2023 | ||
| 100 | 1 | |a Vicuña, Cecilia, |d 1948-, |e artist. | |
| 240 | 1 | 0 | |a Works. |k Selections |
| 245 | 1 | 0 | |a Cecilia Vicuña : |b soñar el agua : una retrospectiva del futuro (1964-...) / |c [curaduría : Miguel A. López]. |
| 246 | 3 | |a Soñar el agua : |b una retrospectiva del futuro (1964-...) | |
| 250 | |a Primera edición. | ||
| 264 | 1 | |a Santiago de Chile : |b Museo de Bellas Artes, |c 2023. | |
| 300 | |a 100 pages : |b illustrations (chiefly color) ; |c 23 cm. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 336 | |a still image |b sti |2 rdacontent | ||
| 337 | |a unmediated |b n |2 rdamedia | ||
| 338 | |a volume |b nc |2 rdacarrier | ||
| 490 | 0 | |a Librillo MNBA ; |v 29 | |
| 500 | |a Este catálogo fue impreso con motivo de la exposición cecilia vicuña, Soñar el agua. Una retrospectiva del futuro (1964-). Presentada en el Museo Nacional de Bellas Artes de Santiago de Chile, desde el 11 de mayo hasta el 3 de septiembre de 2023. | ||
| 500 | |a Published on the occasion of the exhibition "Cecilia Vicuña: Dreaming Water" held from May 11 to Septembre 3, 2023 at the MNBA in Santiago de Chile. | ||
| 505 | 0 | |a La fibra que nos conecta / Jaime de Aguirre Hoffa -- Presentación / Varinia Brodsky Zimmermann -- Contra el miedo de ser luz. Carta a Cecilia Vicuña / Miguel A. López -- Organizar la ensoñación / Cecilia Vicuña -- La poesía de Cecilia Vicuña desafía el monolingüismo autoritario / Alejandro Zambra -- Reticular / Joseefina Hepp, Cecilia Vicuña. | |
| 520 | |a Retrospective of Chilean poet, visual artist and feminist activist Cecilia Vicuña in a Chilean museum since 1971. Born in 1948 and based in New York, United States, since 1980, the artist created the concept of "Precarious Art" in the mid-1960s, to name what disappears. Her work is considered an early vision of ecofeminism and decolonization. The traveling exhibition includes around 200 works of paintings, drawings, screenprints, collages, textiles, videos, photographs, installations, poetry, artist books, and performances, belonging to public and private collections, in addition to the large format installation called "Quipu menstrual (la sangre de los glaciares)" (Menstrual quipu (the blood of glaciers)). Miguel A. López's curatorship highlights Andean memory in her artistic production, as well as the impact of civil-military regimes and the catastrophic effects of neoliberalism on the social, natural and cultural landscape. Her pieces are part of prestigious collections, including the Museum of Modern Art (MoMA) in New York. Curated by Miguel A. López, the book not only delves into Vicuña's art, but also includes essays by prominent scholars and a conversation between Vicuña, Marisol de la Cadena, and Camila Marambio. Published on the occasion of the exhibition "Cecilia Vicuña: Dreaming Water" held at Malba - in collaboration with the National Museum of Fine Arts in Santiago de Chile and the Pinacoteca de São Paulo- this is the most comprehensive monographic book dedicated to Cecilia Vicuña's work to date. It features a main text by curator and editor Miguel A. López in epistolary format - a letter addressed to the artist - as well as new essays by Elizabeth A. Povinelli, Catherine de Zegher, and José de Nordenflycht. It includes two texts by Vicuña on her drawings from the "Palabrarmas" project and the activism of the group Artists for Democracy, as well as a conversation between Vicuña, Marisol de la Cadena, and Camila Marambio. | ||
| 546 | |a In Spanish. | ||
| 600 | 1 | 0 | |a Vicuña, Cecilia, |d 1948- |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Vicuña, Cecilia, |d 1948- |v Exhibitions. |
| 650 | 0 | |a Conceptual art |z Chile |v Exhibitions. | |
| 650 | 0 | |a Art, Chilean |y 21st century |v Exhibitions. | |
| 700 | 1 | |a López, Miguel A, |d 1983-, |e curator, |e writer of supplementary textual content. | |
| 710 | 2 | |a Museo de Arte Latinoamericano de Buenos Aires, |e issuing body, |e host institution. | |
| 710 | 2 | |a São Paulo (Brazil : State). |b Pinacoteca do Estado, |e issuing body, |e host institution. | |
| 710 | 2 | |a Museo Nacional de Bellas Artes (Chile), |e host institution, |e issuing body. | |
| 830 | 0 | |a Librillo MNBA (Chile) ; |v 29. | |
| 929 | |a cat | ||
| 999 | f | f | |s 17f4ada0-9eaa-4536-b99b-cc8e992c7877 |i 90755d1f-34a8-43a9-ba15-ff0372d4ef86 |
| 928 | |t Library of Congress classification |a N6669.V477 A4 2023 |l JRL |c JRL-Gen |i 13642841 | ||
| 927 | |t Library of Congress classification |a N6669.V477 A4 2023 |l JRL |c JRL-Gen |e SMIT |b 118345279 |i 10740464 | ||
