Venetian disegno : new frontiers c.1420-1620 /
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| Imprint: | London : Ad Ilissvm, 2024. ©2024 |
|---|---|
| Description: | 240 pages : colour illustrations, portraits ; 29 x 25 cm |
| Language: | English |
| Subject: | |
| Format: | Print Book |
| URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/13507463 |
Table of Contents:
- Acknowledgements
- Venetian Disegno: Facing New Frontiers
- Introduction
- Peripheries
- Introduction
- Paperless Disegno: Integrating Pisanello's Practice of Sinopie with Drawing Histories in the Venetian Sphere
- Gian Girolamo Savoldo as a Draughtsman: Attribution and Practice
- From Venice to Rome? Giovanni da Udine's Animal and Plant Studies
- Media
- Introduction
- Coloured Chalks and Trois Crayons: Drawing as Creative Process for Bassano, Veronese andPalma
- Legacies on Blue Paper: Drawing in the Bassano, Caliari and Tintoretto Family Workshops
- Confronting the Rule: Domenico Tintoretto's Concetti on The Miracle of the Slave
- On Coloured Ground: Surfaces and Materials in Palma il Giovane's Drawings
- Theory
- Introduction
- Where Disegno Goes to Die: Vasarian Strategies for Creating the Myth of a Venice without Drawing
- "Verrai apigliare huna maniera propia per te": Developing Technique and Style in Early Sixteenth-Century Prints - The Case of Nicoletto da Modena
- Invention
- Introduction
- Invention as Mirrored in Jacopo de' Barbari's Engravings
- The Role of Disegno in the Frieze of the Casa Marta Pellizzari, Castelfranco
- Designing Wall Decorations in Renaissance Vicenza: A Drawing by a Sculptor or a Painter?
- Function
- Introduction
- Drawn to Eloquent Verse: On Drawing in Titian's Narrative Works
- A Drawing by Lazzaro Bastiani at the Boijmans Van Beuningen Museum
- Disegno on a Grand Scale: Giovanni Bellini's Lamentation over the Dead Christ
- The Role of Portrait Drawing in Giovanni Bellini's Practice: Facts and Hypotheses
- Conclusion
- Venetian Drawings and the Perils of Historiography
- Bibliography
- Authors' Biographies
- Colophon and Photographic Credits
