Was socialist realism global? : modernism, soc-modernism, socially engaged figuration /
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Meeting name: | What Are Our Genealogies? Engaged Figurations: Realism, Socialist Realism and Soc-Modernism in a Global Perspective (Conference) (2021 : Online) |
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Imprint: | [Warsaw] : Museum of Modern Art in Warsaw, 2023. ©2023 |
Description: | 338 pages : illustrations (some color) ; 20 cm + 1 art reproduction (10.5 x 15 cm) |
Language: | English |
Series: | The museum under construction books series ; no 21 Museum under construction ; no. 21. |
Subject: | |
Format: | Print Book |
URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/13507475 |
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111 | 2 | |a What Are Our Genealogies? Engaged Figurations: Realism, Socialist Realism and Soc-Modernism in a Global Perspective (Conference) |d (2021 : |c Online) | |
245 | 1 | 0 | |a Was socialist realism global? : |b modernism, soc-modernism, socially engaged figuration / |c edited by Magda Lipska, Piotr Słodkowski. |
264 | 1 | |a [Warsaw] : |b Museum of Modern Art in Warsaw, |c 2023. | |
264 | 4 | |c ©2023 | |
300 | |a 338 pages : |b illustrations (some color) ; |c 20 cm + |e 1 art reproduction (10.5 x 15 cm) | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a unmediated |b n |2 rdamedia | ||
338 | |a volume |b nc |2 rdacarrier | ||
490 | 1 | |a The museum under construction books series ; |v no 21 | |
504 | |a Includes bibliographical references and index. | ||
505 | 0 | 0 | |g I. |t Selected works. |g II. |t Introduction / |r Magda Lipska, Piotr Słodkowski -- |t Modernism and its discontents : some reflections on the vexing problem of a center and its periphery / |r Partha Mitter. -- |g III. |t Essays. |g section I. |t Introduction to Section I. Socialist-realist genealogies, retributions, and retrospections / |r Magdalena Moskalewicz -- |t Social realisms, new aesthetics : engaged women photographers in interwar Central Europe / |r Julia Secklehner -- |g Picking out paths : a retrospective view into the 1930s / |r Agata Pietrasik -- |t Frescoes for the proletariat : symbolist influences in early Soviet monumental painting / |r Nadia Plungian. -- |g section II. |t Introduction to Section II. Toward socialist art : modernism, socialist realism, soc-modernism / |r Piotr Słodkowski -- |t Representing the awkward class : images of peasants in socialist realism / |r Jérôme Basin and Joanna Kordjak -- |t From the academy to revolution / |r Võ Hò̂ng Chương-Đài -- |t Afro-muralism : against black erasure in modern Mexican figurative painting / |r Tatiana Flores. -- |g section III. |t Introduction to Section III. |t Global socialist realisms : reassessing the models in China and internationally / |r Shengtian Zheng -- |t Commissioned modernism : Romania's recurring ideologies ̣/ |r Mirela Tanta -- |t All that glitters is not gold : genealogies of realism in Ethiopia and beyond / |r Kate Cowcher -- |g Seeking a Chinese socialist-realist art in the 1950s and the 1960s / |r Anthony Yung. -- |g section IV. |t Introduction to Section IV. Postcommunism : a condition without a past? / |r Magda Lipska -- |g The battle of the dust jackets : representing Eastern Europe as socialist Europe / |r Katarzyna Murawska-Muthesius -- |t The long shadow : socialist realism's legacy in contemporary Chinese art / |r Carol Yinghua Lu -- |t Inconvenient cultural heritage : a trigger issue or Ukraine's gain? / |r Yevheniia Moliar. -- |g IV. |t Roundtable discussion. |
520 | |a "Was Socialist Realism Global? Modernism, Soc-Modernism, Socially Engaged Figuration seeks new perspectives both on socialist realism in a strict sense and on aspects of politically and socially engaged art of the twentieth century that employed broadly understood figuration. Contributors to the volume shed light on the genealogy of figuration, demonstrating its continuity, evolution, and transformation in Czechoslovakia, Poland, and Soviet Russia prior to the outbreak of the Second World War, reflecting on the ties between politics, nationalism, realism, and modernism. They also relate socialist art and socialist realism from Europe (both Western and Eastern) to analogous artistic practices in China, Ethiopia, Mexico, Vietnam, and beyond."--Page 4 of cover. | ||
650 | 0 | |a Socialist realism in art |v Congresses. | |
650 | 0 | |a Socialist realism in art |z Europe, Eastern |v Congresses. | |
650 | 0 | |a Figurative art |y 20th century |v Congresses. | |
650 | 0 | |a Modernism (Art) |v Congresses. | |
650 | 6 | |a Réalisme socialiste dans l'art |v Congrès. | |
650 | 6 | |a Réalisme socialiste dans l'art |z Europe de l'Est |v Congrès. | |
650 | 6 | |a Modernisme (Art) |v Congrès. | |
700 | 1 | |a Lipska, Magda, |e editor, |e contributor. | |
700 | 1 | |a Słodkowski, Piotr, |e editor, |e contributor. | |
710 | 2 | |a Muzeum Sztuki Nowoczesnej w Warszawie, |e organizer, |e publisher. | |
830 | 0 | |a Museum under construction ; |v no. 21. | |
880 | |6 500-00 |a Contributions documenting a conference, What Are Our Genealogies? Engaged Figurations: Realism, Socialist Realism and Soc-Modernism in a Global Perspective, organized at the Museum of Modern Art in Warsaw in April and May 2021, held online in five weekly sessions. An additional contribution by Ukrainian art historian Yevheniia Moliar was invited for this book. The accompanying art reproduction (postcard-sized), Alla Gorska, Tree of Life (Дерево Життя), 1967, mosaic, Mariupol, Ukraine (now destroyed), photo: Yevhen Nikiforov, courtesy of Yevheniia Moliar, is related to her contribution. | ||
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928 | |t Library of Congress classification |a NX456.5.S65W53 2021 |l JRL |c JRL-Gen |i 13650224 | ||
927 | |t Library of Congress classification |a NX456.5.S65W53 2021 |l JRL |c JRL-Gen |e SARO |b 119250948 |i 10744905 |