Supercinema : film-philosophy for the digital age /

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Bibliographic Details
Author / Creator:Brown, William, 1977- author.
Edition:First edition.
Imprint:New York : Berghahn Books, 2013.
Description:1 online resource (186 pages)
Language:English
Series:Berghahnonfilm
Berghahn on film.
Subject:
Format: E-Resource Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/13510938
Hidden Bibliographic Details
ISBN:9780857459503
0857459503
1299777945
9781299777941
9780857459497
085745949X
Notes:Includes bibliographical references (pages 157-177) and index.
Print version record.
Summary:Drawing on a variety of popular films, including Avatar, Enter the Void, Fight Club, The Matrix, Speed Racer, X-Men and War of the Worlds, Supercinema studies the ways in which digital special effects and editing techniques require a new theoretical framework in order to be properly understood. Here William Brown proposes that while analogue cinema often tried to hide the technological limitations of its creation through ingenious methods, digital cinema hides its technological omnipotence through the continued use of the conventions of analogue cinema.
Other form:Print version: Brown, William, 1977- Supercinema. First edition. New York : Berghahn, 2013 9780857459497

MARC

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100 1 |a Brown, William,  |d 1977-  |e author.  |0 http://id.loc.gov/authorities/names/no2007112617 
245 1 0 |a Supercinema :  |b film-philosophy for the digital age /  |c William Brown. 
250 |a First edition. 
264 1 |a New York :  |b Berghahn Books,  |c 2013. 
300 |a 1 online resource (186 pages) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
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490 1 |a Berghahnonfilm 
504 |a Includes bibliographical references (pages 157-177) and index. 
505 0 |a Introduction -- Chapter 1: Digital cinema's conquest of space -- Chapter 2: The nonanthropocentric character of digital cinema -- Chapter 3: From temporalities to time in digital cinema -- Chapter 4: The film-spectator-world assemblage -- Chapter 5: Concluding with love. 
520 |a Drawing on a variety of popular films, including Avatar, Enter the Void, Fight Club, The Matrix, Speed Racer, X-Men and War of the Worlds, Supercinema studies the ways in which digital special effects and editing techniques require a new theoretical framework in order to be properly understood. Here William Brown proposes that while analogue cinema often tried to hide the technological limitations of its creation through ingenious methods, digital cinema hides its technological omnipotence through the continued use of the conventions of analogue cinema. 
588 0 |a Print version record. 
650 0 |a Motion pictures.  |0 http://id.loc.gov/authorities/subjects/sh85088084 
650 0 |a Digital cinematography.  |0 http://id.loc.gov/authorities/subjects/sh2001001797 
650 6 |a Cinéma numérique. 
650 7 |a ART  |x Film & Video.  |2 bisacsh 
650 7 |a PHOTOGRAPHY  |x Techniques  |x Cinematography & Videography.  |2 bisacsh 
650 7 |a PERFORMING ARTS  |x Film & Video  |x History & Criticism.  |2 bisacsh 
650 7 |a Digital cinematography.  |2 fast  |0 (OCoLC)fst00893633 
650 7 |a Motion pictures.  |2 fast  |0 (OCoLC)fst01027285 
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