Looking through images : a phenomenology of visual media /

Looking through images : a phenomenology of visual media /

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Bibliographic Details
Author / Creator:	Alloa, Emmanuel, author.
Uniform title:	Durchscheinende Bild. English
Imprint:	New York : Columbia University Press, [2021]
Description:	1 online resource : illustrations.
Language:	English
Series:	Columbia themes in philosophy, social criticism, and the arts Columbia themes in philosophy, social criticism, and the arts.
Subject:	Phenomenology. Image (Philosophy) Visual communication -- Philosophy. Image (Philosophy) Phenomenology. Visual communication -- Philosophy.
Format:	E-Resource Book
URL for this record:	http://pi.lib.uchicago.edu/1001/cat/bib/13514488

Hidden Bibliographic Details
Other uniform titles:	Schott, Nils F., Translation of: Alloa, Emmanuel. Durchscheinende Bild.
ISBN:	9780231547574 0231547579 9780231187923 9780231187930
Notes:	Translated from the original German into English. Originally presented as the author's thesis (doctoral)--Université de Paris I: Panthéon-Sorbonne and Freie Universität Berlin, 2009) under the title: Das durchscheinende Bild : Konturen einer medialen Phänomenologie. Includes bibliographical references and index. Description based on online resource; title from digital title page (viewed on September 20, 2021).
Summary:	"Images have always stirred ambivalent reactions. Yet whether eliciting fascinated gazes or iconoclastic repulsion from their beholders, they have hardly ever been seen as true sources of knowledge. They were long viewed as mere appearances, placeholders for the things themselves or deceptive illusions. Today, the traditional critique of the spectacle has given way to an unconditional embrace of the visual. However, we still lack a persuasive theoretical account of how images work. Emmanuel Alloa retraces the history of Western attitudes toward the visual to propose a major rethinking of images as irreplaceable agents of our everyday engagement with the world. He examines how ideas of images and their powers have been constructed in Western humanities, art theory, and philosophy, developing a novel genealogy of both visual studies and the concept of the medium. Alloa reconstructs the earliest Western media theory-Aristotle's concept of the diaphanous milieu of vision-and the significance of its subsequent erasure in the history of science. Ultimately, he argues for a historically informed phenomenology of images and visual media that explains why images are not simply referential depictions, windows onto the world. Instead, images constantly reactivate the power of appearing. As media of visualization, they allow things to appear that could not be visible except in and through these very material devices"--
Other form:	Print version: Alloa, Emmanuel. Looking through images New York : Columbia University Press, [2021] 9780231187923

Description
Summary:	Emmanuel Alloa retraces the history of Western attitudes toward the visual to propose a major rethinking of images as irreplaceable agents of our everyday engagement with the world. He examines how ideas of images and their powers have been constructed in Western humanities, art theory, and philosophy.
Item Description:	Translated from the original German into English. Originally presented as the author's thesis (doctoral)--Université de Paris I: Panthéon-Sorbonne and Freie Universität Berlin, 2009) under the title: Das durchscheinende Bild : Konturen einer medialen Phänomenologie.
Physical Description:	1 online resource : illustrations.
Bibliography:	Includes bibliographical references and index.
ISBN:	9780231547574 0231547579 9780231187923 9780231187930