ReFocus: the films of Larisa Shepitko /
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| Imprint: | Edinburgh : Edinburgh University Press, [2024] |
|---|---|
| Description: | xii, 276 pages : illustrations ; 24 cm. |
| Language: | English |
| Series: | ReFocus: the international directors series ReFocus: the international directors series. |
| Subject: | |
| Format: | Print Book |
| URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/13523902 |
Table of Contents:
- Part I. Late socialism: cinema, ideology, subjectivity
- 1. Larisa Shepitko at VGIK and in Soviet/Post-Soviet archives and press / Nina Spunitskaya
- 2. Larisa Shepitko, Aleksei German, and the trials and tribulations of post-thaw Soviet filmmaking / Tim Harte
- Part II. Intermediality: from word to image
- 3. Ghosts of the present past: Wings (1966), from the script by Natalia Riazantseva and Valentin Ezhov to the film by Larisa Shepitko / Eugénoe Zvonkine
- 4. The Ordeal and The ascent / Karla Oeler
- Part III. The materiality of moving images
- 5. The revolutionary past as environment: rain, dust, and faces in The homeland of electricity / Viktoria Paranyuk
- 6. The senselessness of the heroic act and the experience of war in The ascent / Elizabeth A. Papazian
- Part IV. Time, memory, temporality
- 7. White on white and The black square: Shepitko's The ascent, Stan Brakhage, and cinematic abstraction / Anne Eakin Moss
- 8. Liquid time: The homeland of electricity as unprocessed trauma / Lilya Kaganovsky
- Part V. Landscape and environment
- 9. Methods of conquest: Larisa Shepitko's Heat, Soviet Russian colonialism, and the representation of the Virgin Lands Campaign in Soviet Cinema of the 1950s-60s / Zdenko Mandušić
- 10. Larisa Shepitko's ecologies / Lida Oukaderova
- 11. The Shepitko sky: Larisa Shepitko's meteorological cinema of immersion, wonder, and openness / Raymond de Luca
- Part VI. Shepitko in post-Soviet cinema
- 12. The white, the black, and the gray: the problem of choice in Larisa Shepitko's The ascent and Sergei Loznitsa's In the fog / Sergey Toymentsev.
