The jazz image : seeing music through Herman Leonard's photography /

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Bibliographic Details
Author / Creator:Pinson, K. Heather.
Imprint:Jackson : University Press of Mississippi, ©2010.
Description:1 online resource (xii, 240 pages) : illustrations
Language:English
Series:American made music series
American made music series.
Subject:
Format: E-Resource Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/13538635
Hidden Bibliographic Details
ISBN:9781604734959
1604734957
9781604734942
1604734949
Notes:Includes bibliographical references (pages 224-235) and index.
Print version record.
Summary:Typically, a photograph of a jazz musician has several formal pre-requisites: black and white film, an urban setting in the mid-twentieth century, and a black man standing, playing, or sitting next to his instrument. This book reveals how such a steadfast script developed visually and what this convention meant for the music. Herman Leonard's photographic depictions of African American jazz musicians in New York not only created a visual template of a black musician of the 1950s, but also became the standard configuration of the music's neo-classical sound today.
Other form:Print version: Pinson, K. Heather. Jazz image. Jackson : University Press of Mississippi, ©2010 9781604734942
Standard no.:9786612700347
Table of Contents:
  • The formation of the jazz image in visual culture
  • The construction of signs in jazz photography
  • Ceci n'est pas jazz : the battle for ownership
  • A "style portrait" of the avant-garde
  • The visual image of jazz
  • Appendix A : Herman Leonard timeline 1923 to 2006
  • Appendix B : List of exhibitions for Herman Leonard's photography.