Breaking the Rule of Cool : Interviewing and Reading Women Beat Writers.

Saved in:
Bibliographic Details
Author / Creator:Grace, Nancy McCampbell.
Imprint:Jackson : University Press of Mississippi, 2012.
Description:1 online resource (393 pages)
Language:English
Subject:
Format: E-Resource Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/13538822
Hidden Bibliographic Details
Other authors / contributors:Johnson, Ronna C.
ISBN:9781604735994
1604735996
Notes:Print version record.
Summary:BIOGRAPHY ̀ˆLITERARY CRITICISM-- & The Beat movement nurtured many female dissidents and artists who contributed to Beat culture and connected the Beats with the second wave of the women's movement. Although they have often been eclipsed by the men of the Beat Generation, the women's contributions to Beat literature are considerable. Covering writers from the beginning of the movement in the 1950s and extending to the present, this book features interviews with nine of the best-known women Beat writers, including Diane di Prima, ruth weiss, Joyce Johnson, Hettie Jones, Joanne Kyger, Brenda Fraz.
Other form:Print version: Grace, Nancy M. Breaking the Rule of Cool : Interviewing and Reading Women Beat Writers. Jackson : University Press of Mississippi, ©2012 9781578066544
Review by Choice Review

The rather overcrowded literature on Beat writers must make room for this lively collection. Women Beat writers have received too little attention, and this collection can take its place alongside the critical anthology Girls Who Wore Black: Women Writing the Beat Generation, which Grace and Johnson edited (CH, Jan'03). The present title comprises interviews of exactly the women any fan or scholar of Beat would want to read about: Ruth Weiss, Diane di Prima (indispensable), Brenda Frazer, Hettie Jones, Joyce Johnson, Ann Charters, Janine Pommie Vega, and Anne Waldman. The interviews refute F. Scott Fitzgerald's saying that "there are no second acts in American lives." Frazer's life is especially poignant. Ann Charters explains her crucial involvement with the dissemination of Beat writing through her scholarly writing and bibliographical work. Johnson's introductory "map" of the writers is very helpful, and Grace contributes an intelligent essay on the interviewing process. The works cited is useful, but a fuller bibliography would have been even better. The index is extensive. ^BSumming Up: Essential. All collections; all levels. B. Almon University of Alberta

Copyright American Library Association, used with permission.
Review by Choice Review