Images of England through popular music : class, youth and rock'n'roll, 1955-1976 /

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Bibliographic Details
Author / Creator:Gildart, Keith, author.
Imprint:New York : Palgrave Macmillan, 2013.
Description:1 online resource
Language:English
Subject:
Format: E-Resource Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/13539185
Hidden Bibliographic Details
ISBN:9781137384256
1137384255
1306093104
9781306093101
9780230019690
0230019692
Notes:Includes bibliographical references (pages 256-276) and index.
Print version record.
Summary:What was the relationship between working-class youths and popular music between the years 1955-1976? Drawing on archival sources and oral testimony, Keith Gildart examines the ways in which popular music played an important role in reflecting and shaping social identities and working-class cultures and - through a focus on rock 'n' roll, rhythm and blues, punk, the mod subculture, and the many worlds of glam rock - created a sense of crisis in English society. Complemented by a critical reading of the songs, performances and impact of influential and emblematic musicians including Georgie Fame, The Beatles, Pete Townshend, Ray Davies, David Bowie and the Sex Pistols, Gildart brings together an investigation of particular localities, scenes, genres and individual and collective experiences and forms a critique of recent revisionist histories of popular music and youth culture.
Other form:Print version: Gildart, Keith. Images of England through popular music 9780230019690

MARC

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245 1 0 |a Images of England through popular music :  |b class, youth and rock'n'roll, 1955-1976 /  |c Keith Gildart. 
264 1 |a New York :  |b Palgrave Macmillan,  |c 2013. 
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588 0 |a Print version record. 
505 0 |a PART I: TEDDY BOY ENGLAND -- 1. Coal, Cotton and Rock 'n' Roll in North West England -- 2. Exploring Soho and the Flamingo Club with Georgie Fame and the Blue Flames -- 3. Liverpool, the Beatles, and the Cultural Politics of Class, Race and Place -- PART II: MOD ENGLAND -- 4. My Generation: Pete Townshend, The Who and English Mods -- 5. Mods over England: Local Experiences and Social Control -- 6. Class, Nation and Social Change in the Kinks' England -- PART III: GLAM/PUNK ENGLAND -- 7. Aliens in England: Slade, David Bowie, Ziggy Stardust and Glam Rock -- 8. Darkness over England: Punk Rock and the Sex Pistols Anarchy Tour 1976 -- 9. Encore: On The Road to Wigan Pier with Georgie Fame and Billy Boston, 2 March 2003. 
520 |a What was the relationship between working-class youths and popular music between the years 1955-1976? Drawing on archival sources and oral testimony, Keith Gildart examines the ways in which popular music played an important role in reflecting and shaping social identities and working-class cultures and - through a focus on rock 'n' roll, rhythm and blues, punk, the mod subculture, and the many worlds of glam rock - created a sense of crisis in English society. Complemented by a critical reading of the songs, performances and impact of influential and emblematic musicians including Georgie Fame, The Beatles, Pete Townshend, Ray Davies, David Bowie and the Sex Pistols, Gildart brings together an investigation of particular localities, scenes, genres and individual and collective experiences and forms a critique of recent revisionist histories of popular music and youth culture. 
504 |a Includes bibliographical references (pages 256-276) and index. 
650 0 |a Music  |x Social aspects  |z Great Britain. 
650 0 |a Youth  |z Great Britain  |x Social conditions. 
650 0 |a Popular music  |z Great Britain  |y 1951-1960. 
650 0 |a Popular music  |z Great Britain  |y 1961-1970. 
650 0 |a Popular music  |z Great Britain  |y 1971-1980. 
650 6 |a Musique  |x Aspect social  |z Grande-Bretagne. 
650 6 |a Jeunesse  |z Grande-Bretagne  |x Conditions sociales. 
650 6 |a Musique populaire  |z Grande-Bretagne  |y 1951-1960. 
650 6 |a Musique populaire  |z Grande-Bretagne  |y 1961-1970. 
650 6 |a Musique populaire  |z Grande-Bretagne  |y 1971-1980. 
650 7 |a Popular music, easy listening  |z England.  |2 bicssc 
650 7 |a Music recording & reproduction  |z England.  |2 bicssc 
650 7 |a British & Irish history  |z England.  |2 bicssc 
650 7 |a 20th century history: c 1900 to c 2000  |z England.  |2 bicssc 
650 7 |a POLITICAL SCIENCE  |x Public Policy  |x Cultural Policy.  |2 bisacsh 
650 7 |a SOCIAL SCIENCE  |x Anthropology  |x Cultural.  |2 bisacsh 
650 7 |a SOCIAL SCIENCE  |x Popular Culture.  |2 bisacsh 
650 7 |a Music  |x Social aspects.  |2 fast  |0 (OCoLC)fst01030444 
650 7 |a Popular music.  |2 fast  |0 (OCoLC)fst01071422 
650 7 |a Youth  |x Social conditions.  |2 fast  |0 (OCoLC)fst01183536 
651 7 |a Great Britain.  |2 fast  |0 (OCoLC)fst01204623 
650 7 |a Popular music  |z England  |x Easy listening  |y 20th century, c 1900 to c 1999.  |2 thema 
650 7 |a Music recording & reproduction  |z England  |x Easy listening  |y 20th century, c 1900 to c 1999.  |2 thema 
650 7 |a European history  |z England  |x Easy listening  |y 20th century, c 1900 to c 1999.  |2 thema 
650 7 |a Music.  |2 ukslc 
648 7 |a 1951-1980  |2 fast 
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