21st Century Retro: Mad Men and 1960s America in Film and Television /

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Bibliographic Details
Author / Creator:Baruah, Debarchana, author.
Imprint:Bielefeld : transcript-Verlag, [2021]
©2021
Description:1 online resource (246 p.).
Language:English
Series:American Culture Studies ; volume 32
American studies (Transcript (Firm))
Subject:
Format: E-Resource Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/13543038
Hidden Bibliographic Details
ISBN:3839457211
9783839457214
9783837657210
Digital file characteristics:text file PDF
Notes:Includes bibliographical references (pages 213-244).
In English.
Summary:Numerous contemporary televisual productions revisit the 1960s but direct their energies towards history's non-events and anti-heroic subjectivities. Debarchana Baruah offers a vocabulary to discuss these, using Mad Men as primary case study and supplementing the analysis with other examples from the US and around the world. She takes a fundamentally interdisciplinary approach to studying film and television, drawing from history, memory, and nostalgia discourses, and layering them with theories of intertextuality, paratexts, and actor-networks. The book's compositionist style invites discussion from scholars of various fields, as well as those who are simply fans of history or of Mad Men.
Other form:Print version: Baruah, Debarchana 21st Century Retro: Mad Men and 1960s America in Film and Television Bielefeld : transcript,c2021 9783837657210
Standard no.:10.14361/9783839457214

MARC

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490 1 |a American Culture Studies ;  |v volume 32 
505 0 0 |t Frontmatter --  |t Contents --  |t Acknowledgements --  |t Introduction --  |t Part I --  |t Chapter 1: Retro --  |t Chapter 2: History in Retros --  |t Part II --  |t Chapter 3: Television Memories and Intertextualities in Mad Men --  |t Chapter 4: Mad Men and its Paratexts --  |t Part III --  |t Chapter 5: The Mad Men Network --  |t Conclusion --  |t List of Mad Men Episodes Cited --  |t Works Cited 
520 |a Numerous contemporary televisual productions revisit the 1960s but direct their energies towards history's non-events and anti-heroic subjectivities. Debarchana Baruah offers a vocabulary to discuss these, using Mad Men as primary case study and supplementing the analysis with other examples from the US and around the world. She takes a fundamentally interdisciplinary approach to studying film and television, drawing from history, memory, and nostalgia discourses, and layering them with theories of intertextuality, paratexts, and actor-networks. The book's compositionist style invites discussion from scholars of various fields, as well as those who are simply fans of history or of Mad Men. 
546 |a In English. 
504 |a Includes bibliographical references (pages 213-244). 
630 0 0 |a Mad men (Television program)  |0 http://id.loc.gov/authorities/names/no2009196399 
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653 |a America. 
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653 |a Cultural Studies. 
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653 |a Television. 
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