The cinema of Nuri Bilge Ceylan : the global vision of a Turkish filmmaker /

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Bibliographic Details
Author / Creator:Diken, Bülent, author.
Imprint:London ; New York : I.B. Tauris & Co. Ltd, 2018.
©2018
Description:1 online resource (xi, 190 pages) : illustrations.
Language:English
Series:International library of the moving image ; 47
International library of the moving image ; 47.
Subject:
Format: E-Resource Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/13544459
Hidden Bibliographic Details
Other authors / contributors:Gilloch, Graeme, author.
Hammond, Craig A., author.
ISBN:9781786733344
178673334X
1784538167
9781784538163
Notes:Includes bibliographical references (pages 169-175) and index.
Print version record.
Summary:"Filmmaker Nuri Bilge Ceylan's meditative, visually stunning contributions to the 'New Turkish Cinema' have marked him out as a pioneer of his medium. Reaping success from his prize-winning, breakout film Uzak (2002), and from alter festival favourites Once Upon a Time in Anatolia (2011) and Winter Sleep (2014), he has quickly established himself as an original and provocative writer, director and producer of twenty-first-century cinema. In an age where Turkey's modernization has created societal tensions and departures from past tradition, Ceylan's films present a cinema of dislocation and a vision of 'nostalgia' understood as homesickness: sick of being away from home; sick of being at home. This book offers an overdue study of Ceylan's work and a critical examination of the principle themes therein. In particular, chapters focus on time and space, melancholy and loneliness, absence, rural and urban experience, and notions of paradox, as explored through films which are often slow and uncompromising in their pessimistic outlook. Moving on from the tendency to situate Ceylan's oeuvre exclusively within the canon of 'New Turkish Cinema', one of this book's major achievements is also to assess the influence of classic European thought, literature and film and how such a notably minimal--and in many ways nationally specific--approach translates to an increasingly transnational context for film"--Back cover.
Other form:Print version: Diken, Bülent. Cinema of Nuri Bilge Ceylan. London ; New York : I.B. Tauris & Co. Ltd, 2018 1784538167

MARC

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245 1 4 |a The cinema of Nuri Bilge Ceylan :  |b the global vision of a Turkish filmmaker /  |c Bülent Diken, Graeme Gilloch and Craig Hammond. 
264 1 |a London ;  |a New York :  |b I.B. Tauris & Co. Ltd,  |c 2018. 
264 4 |c ©2018 
300 |a 1 online resource (xi, 190 pages) :  |b illustrations. 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 1 |a International library of the moving image ;  |v 47 
504 |a Includes bibliographical references (pages 169-175) and index. 
520 |a "Filmmaker Nuri Bilge Ceylan's meditative, visually stunning contributions to the 'New Turkish Cinema' have marked him out as a pioneer of his medium. Reaping success from his prize-winning, breakout film Uzak (2002), and from alter festival favourites Once Upon a Time in Anatolia (2011) and Winter Sleep (2014), he has quickly established himself as an original and provocative writer, director and producer of twenty-first-century cinema. In an age where Turkey's modernization has created societal tensions and departures from past tradition, Ceylan's films present a cinema of dislocation and a vision of 'nostalgia' understood as homesickness: sick of being away from home; sick of being at home. This book offers an overdue study of Ceylan's work and a critical examination of the principle themes therein. In particular, chapters focus on time and space, melancholy and loneliness, absence, rural and urban experience, and notions of paradox, as explored through films which are often slow and uncompromising in their pessimistic outlook. Moving on from the tendency to situate Ceylan's oeuvre exclusively within the canon of 'New Turkish Cinema', one of this book's major achievements is also to assess the influence of classic European thought, literature and film and how such a notably minimal--and in many ways nationally specific--approach translates to an increasingly transnational context for film"--Back cover. 
505 0 |a Introduction -- The origin of imagines : unravelling Cocoon -- Our town : homesickness in The small town and Clouds of May -- Distant : a winter's tale -- Climates and problem of nihilism : the missing season -- Three monkeys and the oblivion of the spectral fourth -- Once upon a time in Anatolia : Ante rem, revenge, hinterland and detection -- Winter sleep : disappearance as social topology -- Conclusion : Ceylan's aesthetic politics. 
588 0 |a Print version record. 
600 1 0 |a Ceylan, Nuri Bilge,  |d 1959-  |x Criticism and interpretation. 
600 1 7 |a Ceylan, Nuri Bilge,  |d 1959-  |2 fast  |0 (OCoLC)fst01947701 
600 1 7 |a Ceylan, Nuri Bilge,  |d 1959-  |x Criticism and interpretation.  |2 nli 
650 0 |a Motion picture producers and directors  |z Turkey. 
650 7 |a Performing Arts.  |2 eflch 
650 7 |a Motion picture producers and directors.  |2 fast  |0 (OCoLC)fst01027225 
651 7 |a Turkey.  |2 fast  |0 (OCoLC)fst01208963 
650 7 |a Motion picture producers and directors  |z Turkey.  |2 nli 
650 7 |a Turkey.  |2 thema 
650 7 |a Films, cinema.  |2 thema 
650 7 |a Film history, theory & criticism.  |2 thema 
650 7 |a Individual film directors, film-makers.  |2 thema 
650 7 |a Social & cultural history.  |2 thema 
650 7 |a Performing Arts.  |2 ukslc 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
700 1 |a Gilloch, Graeme,  |e author. 
700 1 |a Hammond, Craig A.,  |e author. 
776 0 8 |i Print version:  |a Diken, Bülent.  |t Cinema of Nuri Bilge Ceylan.  |d London ; New York : I.B. Tauris & Co. Ltd, 2018  |z 1784538167  |w (OCoLC)964379801 
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