Eduardo Grossman : nueva antología /

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Bibliographic Details
Author / Creator:Grossman, Eduardo, 1946- photographer.
Edition:Primera edición.
Imprint:CABA, Argentina : Fundación Alfonso y Luz Castillo, Arte x Arte, [2024]
Description:149 pages : illustrations, portraits ; 31 cm
Language:Spanish
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/13550088
Hidden Bibliographic Details
Varying Form of Title:Nueva antología
Other authors / contributors:Pérez Aznar, Ataúlfo, organizer.
Fundación Alfonso y Luz Castillo, issuing body.
Arte x Arte (Art gallery : Buenos Aires, Argentina), host institution.
ISBN:9786319027433
6319027436
Notes:Chiefly illustrated.
Published on the occasion of the photographic exhibition held from July to August, 2024 at the Galeria Arte x Arte in Buenos Aires, Argentina.
Limited edition of 300 copies.
Summary:This book is published in conjunction with the 2024 exhibition of his work in Buenos Aires, curated by Ataúlfo Pérez Azna. An exhibition plus an exhaustive book, compile five decades of the photographer's work. He was in all (the newsrooms) and today he is an undisputed classic of Argentine photojournalism.Eduardo Grossman was able to interpret the recovery of the democratic spirit in daily life, in the mood and temperament of the people. He entered the press in the early 70s spontaneously and independently. Thus, he was part of areas that later became emblematic within photojournalism. From rock figures such as León Gieco, Charly García and Federico Moura (to name a few), to figures in the visual arts who, in some cases, were little known, such as the emblematic Federico Manuel Peralta Ramos. He also captured the great portrait of Carlos Alonso, showing all the strength that he expressed in his works. In addition, he immortalized Atahualpa Yupanqui and created a fantastic portrait of the "Polaco" Roberto Goyeneche, set like the image of a painting about him. In his extensive work, he also addressed political reality, highlighting the military uprising of Holy Week in 1987 and the visit of John Paul II to Argentina that same year.

MARC

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100 1 |a Grossman, Eduardo,  |d 1946-  |e photographer.  |1 https://id.oclc.org/worldcat/entity/E39PCjJpbYPm9djx8xqjtxGdV3 
245 1 0 |a Eduardo Grossman :  |b nueva antología /  |c Ataúlfo Pérez Aznar, curador. 
246 3 0 |a Nueva antología 
250 |a Primera edición. 
264 1 |a CABA, Argentina :  |b Fundación Alfonso y Luz Castillo, Arte x Arte,  |c [2024] 
300 |a 149 pages :  |b illustrations, portraits ;  |c 31 cm 
336 |a still image  |b sti  |2 rdacontent 
336 |a text  |b txt  |2 rdacontent 
337 |a unmediated  |b n  |2 rdamedia 
338 |a volume  |b nc  |2 rdacarrier 
500 |a Chiefly illustrated. 
500 |a Published on the occasion of the photographic exhibition held from July to August, 2024 at the Galeria Arte x Arte in Buenos Aires, Argentina. 
500 |a Limited edition of 300 copies. 
505 0 |a Nueva antología / Ataúlfo Pérez Aznar -- Inicios -- Periodismo -- Europa -- Buenos Aires -- Retratos -- Album -- Cronología -- Curaduría. 
520 |a This book is published in conjunction with the 2024 exhibition of his work in Buenos Aires, curated by Ataúlfo Pérez Azna. An exhibition plus an exhaustive book, compile five decades of the photographer's work. He was in all (the newsrooms) and today he is an undisputed classic of Argentine photojournalism.Eduardo Grossman was able to interpret the recovery of the democratic spirit in daily life, in the mood and temperament of the people. He entered the press in the early 70s spontaneously and independently. Thus, he was part of areas that later became emblematic within photojournalism. From rock figures such as León Gieco, Charly García and Federico Moura (to name a few), to figures in the visual arts who, in some cases, were little known, such as the emblematic Federico Manuel Peralta Ramos. He also captured the great portrait of Carlos Alonso, showing all the strength that he expressed in his works. In addition, he immortalized Atahualpa Yupanqui and created a fantastic portrait of the "Polaco" Roberto Goyeneche, set like the image of a painting about him. In his extensive work, he also addressed political reality, highlighting the military uprising of Holy Week in 1987 and the visit of John Paul II to Argentina that same year. 
600 1 0 |a Grossman, Eduardo,  |d 1946-  |v Exhibitions. 
650 0 |a Photography, Artistic  |v Exhibitions. 
650 0 |a Portrait photography  |v Exhibitions. 
650 0 |a Documentary photography  |v Exhibitions. 
650 0 |a Black-and-white photography  |v Exhibitions. 
650 1 |a Documentary photography  |v Exhibitions. 
650 6 |a Photographie artistique  |v Expositions. 
650 6 |a Portraits (Photographie)  |v Expositions. 
650 6 |a Photographie documentaire  |v Expositions. 
650 6 |a Photographie en noir et blanc  |v Expositions. 
655 7 |a exhibition catalogs.  |2 aat 
655 7 |a Exhibition catalogs.  |2 lcgft 
655 7 |a Catalogues d'exposition.  |2 rvmgf 
700 1 |a Pérez Aznar, Ataúlfo,  |e organizer.  |1 https://id.oclc.org/worldcat/entity/E39PCjyjVYFGDCDFmJQTmjj8cq 
710 2 |a Fundación Alfonso y Luz Castillo,  |e issuing body. 
710 2 |a Arte x Arte (Art gallery : Buenos Aires, Argentina),  |e host institution. 
929 |a cat 
999 f f |s 6ceb1537-c25f-4306-8b8f-2c45facca869  |i 9330decc-c7af-4d3d-afd4-daa1e2e2817b 
928 |t Library of Congress classification  |a TR654 .G76 2024  |p f  |l ASR  |c ASR-JRLASR  |i 13692690 
927 |t Library of Congress classification  |a TR654 .G76 2024  |p f  |l ASR  |c ASR-JRLASR  |e SMIT  |b 119301901  |i 10757375