More city than water : a Houston flood atlas /

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Bibliographic Details
Edition:First edition, 2022
Imprint:Austin : University of Texas Press, 2022.
Description:1 online resource (292 pages) : color illustrations and maps.
Language:English
Subject:
Format: E-Resource Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/13564066
Hidden Bibliographic Details
Other authors / contributors:Johnson, Lacy M., 1978- editor.
Beckett, Cheryl, editor.
ISBN:9781477325667
1477325662
9781477325001
147732500X
Notes:Includes bibliographical references.
Summary:"This anthology is a literary and cartographic interpretation of Houston's floodplains, waterways, drainage systems, reservoirs, and inundated zones. Just after Hurricane Harvey dumped a record sixty-one inches of rain on the city in 2017, writer and Houston resident Lacy M. Johnson created the Houston Flood Museum, an online archive for stories about Harvey and other floods. A year later, she began commissioning and collecting the essays that appear in this volume, each of which is illustrated with a map created by seniors in the graphic design program at UH. She asked each contributor, "What does chronic catastrophic flooding reveal about this city and the way we live in it, and what does it obscure?" With essays from climate scholars, marine ecologists, housing activists, architects, urban planners, artists, poets, and historians, the book is intentionally interdisciplinary to reflect the complexity of the flooding that increasingly defines Houston"--
Other form:Print version: More city than water. Austin : University of Texas Press, 2022 9781477325001 147732500X
Review by Publisher's Weekly Review

Memoirist Johnson (The Reckonings) and graphic arts professor Beckett pull together 22 pieces about climate change's effect on Houston in this strong anthology. As Johnson writes in her introduction, "An ideal map of the city should include... history and all its implications: articulated and silent, evident and hidden," and, as such, each entry is paired with a cartographic image to create an atlas of "our relationship to the land, to the future, to flooding, and to one another." A map of hazardous liquid pipelines accompanies Sonia Hamer's "Gusher," in which she explores the early days of Houston's oil industry after oil was found in 1916 in Goose Creek, while a map of Independence Heights, "the first Black municipality in Texas," comes with Aimee Vonbokel, Tanya Debose, and Alexandria Parson's "History Displaced," which looks at how the city's flooding is "a problem with social, political, and racial dimensions." Sonia Del Hierro's poem "Harvey Alerts," meanwhile, recounts email alerts she received during the 2017 hurricane and is illustrated with a map of locations the alerts pertain to. Despite the narrow focus, the variety of voices and formats gives the work a sense of breadth. It adds up to a tough, thought-provoking depiction of the wreckage wrought by a changing climate. (May)

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Review by Publisher's Weekly Review