World's End /

Saved in:
Bibliographic Details
Author / Creator:Gere, Charlie, author.
Imprint:London : Goldsmiths Press, 2022.
Description:1 online resource.
Language:English
Series:Spatial politics
Subject:
Format: E-Resource Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/13576358
Hidden Bibliographic Details
ISBN:9781912685974
1912685973
9781913380007
Notes:Includes bibliographical references (and index).
Summary:"A memoir and cultural history the World's End, a West London area once home to bohemian artists and punk rock and now an outpost of neoliberalism. Charlie Gere's account of growing up in the World's End area of West London during the Cold War combines local history, cultural history, memoir, and a strong sense of the apocalyptic. Once a rundown part of Chelsea at the wrong end of the King's Road, the World's End has long been a place for bohemian writers and artists, including Turner, Whistler, Beckett, Bacon, and Bacon's muse Henrietta Moraes, all of whom evinced an appropriate apocalyptic sensibility. After World War II, in which the area suffered severe bombing, it became a center of the counterculture that emerged from what Jeff Nuttall called "Bomb Culture," formed by the threat of nuclear annihilation. The famous boutique Granny Takes a Trip opened there in 1966, joined later on by Hung On You, Puss Weber's Flying Dragon Tea Room, and the commune Gandalf's Garden. The area also featured trepanning aristocrats and pet lions, among other eccentricities. In the 1970s, the World's End was the center of punk rock. Gere's parents arrived as part of a wave of gentrification, and Gere, born and brought up there, witnessed its social and cultural evolution. As an adolescent, he was traumatized by the prospect of nuclear war. He has lived long enough to see the World's End now bearing the marks of out-of-control neoliberalism and its grotesque accompanying inequality. But this too shall pass as worlds end."--

MARC

LEADER 00000cam a2200000 i 4500
001 13576358
006 m o d
007 cr cnu---unuuu
008 220418s2022 enk ob 000 0deng d
005 20241112141435.4
035 |a (OCoLC)1311279770 
035 9 |a (OCLCCM-CC)1311279770 
040 |a N$T  |b eng  |e rda  |e pn  |c N$T  |d N$T  |d YDX  |d OCLCO  |d UBY  |d OCLCO  |d OCLCF  |d OCLCQ 
020 |a 9781912685974  |q electronic book 
020 |a 1912685973  |q electronic book 
020 |z 9781913380007 
043 |a e-uk-en 
050 4 |a DA685.W67  |b G47 2022 
049 |a MAIN 
100 1 |a Gere, Charlie,  |e author. 
245 1 0 |a World's End /  |c Charlie Gere. 
264 1 |a London :  |b Goldsmiths Press,  |c 2022. 
300 |a 1 online resource. 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Spatial politics 
520 |a "A memoir and cultural history the World's End, a West London area once home to bohemian artists and punk rock and now an outpost of neoliberalism. Charlie Gere's account of growing up in the World's End area of West London during the Cold War combines local history, cultural history, memoir, and a strong sense of the apocalyptic. Once a rundown part of Chelsea at the wrong end of the King's Road, the World's End has long been a place for bohemian writers and artists, including Turner, Whistler, Beckett, Bacon, and Bacon's muse Henrietta Moraes, all of whom evinced an appropriate apocalyptic sensibility. After World War II, in which the area suffered severe bombing, it became a center of the counterculture that emerged from what Jeff Nuttall called "Bomb Culture," formed by the threat of nuclear annihilation. The famous boutique Granny Takes a Trip opened there in 1966, joined later on by Hung On You, Puss Weber's Flying Dragon Tea Room, and the commune Gandalf's Garden. The area also featured trepanning aristocrats and pet lions, among other eccentricities. In the 1970s, the World's End was the center of punk rock. Gere's parents arrived as part of a wave of gentrification, and Gere, born and brought up there, witnessed its social and cultural evolution. As an adolescent, he was traumatized by the prospect of nuclear war. He has lived long enough to see the World's End now bearing the marks of out-of-control neoliberalism and its grotesque accompanying inequality. But this too shall pass as worlds end."--  |c Provided by publisher 
504 |a Includes bibliographical references (and index). 
610 2 0 |a Worlds End (London, England)  |x History  |y 20th century. 
610 2 0 |a Worlds End (London, England)  |x Social life and customs. 
600 1 0 |a Gere, Charlie  |1 https://isni.org/isni/0000000039498599  |0 http://id.loc.gov/authorities/names/no00073025 
651 0 |a Kensington and Chelsea (London, England)  |x History  |y 20th century. 
651 0 |a Kensington and Chelsea (London, England)  |x Social life and customs. 
650 7 |a Manners and customs.  |2 fast  |0 (OCoLC)fst01007815 
651 7 |a England  |z London  |z Kensington and Chelsea.  |2 fast  |0 (OCoLC)fst01317442 
648 7 |a 1900-1999  |2 fast 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
856 4 0 |u https://directory.doabooks.org/handle/20.500.12854/100341  |y Open Access Publishing in European Networks 
929 |a oclccm 
999 f f |i fdce9637-78cd-4af8-8f13-9da406ca200e  |s 9ca8ebbc-9550-46f5-936c-3dde87186fcc 
928 |t Library of Congress classification  |a DA685.W67G47 2022  |l Online  |c UC-FullText  |u https://directory.doabooks.org/handle/20.500.12854/100341  |z Open Access Publishing in European Networks  |g ebooks  |i 13719236