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|a Braverman, Barry.
|0 http://id.loc.gov/authorities/names/n79098795
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245 |
1 |
0 |
|a Video shooter :
|b mastering storytelling techniques /
|c Barry Braverman.
|
250 |
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|a [Third edition].
|
264 |
|
1 |
|a Burlington, MA :
|b Focal Press,
|c 2014.
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300 |
|
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|a 1 online resource (xiii, 329 pages)
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|a text
|b txt
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|a Includes bibliographical references and index.
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520 |
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|a "Tired of the all the digital filmmaking guidebooks that give you only the nuts and bolts of how to use a camera? The third edition of Video Shooter takes the how-to knowledge a step further by showing you how to craft a story in your video. Barry Braverman is an experienced shooter and filmmaker whose is highly regarded in the field. This book covers everything from framing a shot, to lighting, to the type of camera (and tripod) you should use, and perhaps most importantly--how to translate the use of all the equipment and techniques into a story. The author is a veteran cinematic storyteller, and he shares practiced film-style techniques for use on your own DV cam. Humorous and opinionated, the author provides anecdotes and full-color illustrations that help you to learn the tricks of the trade. He gets right to the point of what you need to know to get good shots-and on a budget. New to this edition: * more up-to-date techniques involving HD technology* more coverage on the multi-skillset required of today's filmmakers (who are asked to act simultaneously as Director, Director of Photography, Cinematographer, Sound Recordists, etc.)*Website including craft tips, equipment review/blogs, and a teacher's corner to support use of the book in film studies/digital media class (includes student work completed in class using the text)"--
|c Provided by publisher
|
588 |
0 |
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|a Print version record.
|
505 |
0 |
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|a 1. The shooter's point of view -- 2. Let me tell you a story -- 3. The video storyteller -- 4. The storyteller's box -- 5. The DSLR story -- 6. Your window on the world -- 7. The 3D shooter -- 8. Story command and control -- 9. Tweaking your story's look -- 10. Making light of your story -- 11. Supporting your story -- 12. Listening to your story -- 13. Going with the flow -- Afterword: There is no best button.
|
650 |
|
0 |
|a Video recordings
|x Production and direction.
|0 http://id.loc.gov/authorities/subjects/sh85143206
|
650 |
|
0 |
|a Digital cinematography.
|0 http://id.loc.gov/authorities/subjects/sh2001001797
|
650 |
|
6 |
|a Vidéo
|x Production et réalisation.
|
650 |
|
6 |
|a Cinéma numérique.
|
650 |
|
7 |
|a PERFORMING ARTS
|x Film & Video
|x Direction & Production.
|2 bisacsh
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650 |
|
7 |
|a BUSINESS & ECONOMICS
|x Industries
|x Media & Communications.
|2 bisacsh
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650 |
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7 |
|a TECHNOLOGY & ENGINEERING
|x Telecommunications.
|2 bisacsh
|
650 |
|
7 |
|a Digital cinematography
|2 fast
|
650 |
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7 |
|a Video recordings
|x Production and direction
|2 fast
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|i Print version:
|a Braverman, Barry.
|t Video shooter.
|b [Third edition]
|z 9780240825175
|w (DLC) 2013006522
|w (OCoLC)837922329
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856 |
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0 |
|u https://go.oreilly.com/uchicago/library/view/-/9780240825175/?ar
|y O'Reilly
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929 |
|
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|a oclccm
|
999 |
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|t Library of Congress classification
|a PN1992.94.B75 2014eb
|l Online
|c UC-FullText
|u https://go.oreilly.com/uchicago/library/view/-/9780240825175/?ar
|z O'Reilly
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