Image processing for cinema /
Saved in:
| Author / Creator: | Bertalmío, Marcelo, author. |
|---|---|
| Edition: | First edition. |
| Imprint: | Boca Raton, FL : Chapman and Hall/CRC, an imprint of Taylor and Francis, 2014. |
| Description: | 1 online resource (314 p.). |
| Language: | English |
| Series: | Chapman & Hall/CRC Mathematical and Computational Imaging Sciences Chapman & Hall/CRC mathematical and computational imaging sciences. |
| Subject: | |
| Format: | E-Resource Book |
| URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/13695679 |
MARC
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| 100 | 1 | |a Bertalmío, Marcelo, |e author. | |
| 245 | 1 | 0 | |a Image processing for cinema / |c by Marcelo Bertalmío. |
| 250 | |a First edition. | ||
| 264 | 1 | |a Boca Raton, FL : |b Chapman and Hall/CRC, an imprint of Taylor and Francis, |c 2014. | |
| 300 | |a 1 online resource (314 p.). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Chapman & Hall/CRC Mathematical and Computational Imaging Sciences | |
| 505 | 0 | |a Front Cover; Acknowledgments; Preface; Contents; Part I: Lights; Chapter 1: Light and color; Chapter 2: Optics; Part II: Camera; Chapter 3: Camera; Part III: Action; Chapter 4: Compression; Chapter 5: Denoising; Chapter 6: Demosaicking and deinterlacing; Chapter 7: White balance; Chapter 8: Image stabilization; Chapter 9: Zoom-in and slow motion; Chapter 10: Transforming the color gamut; Chapter 11: High dynamic range video and tone mapping; Chapter 12: Stereoscopic 3D cinema; Chapter 13: Color matching for stereoscopic cinema; Chapter 14: Inpainting; Bibliography | |
| 546 | |a English. | ||
| 500 | |a "A Chapman & Hall book." | ||
| 504 | |a Includes bibliographical references. | ||
| 588 | |a Description based on print version record. | ||
| 520 | 3 | |a Image Processing for Cinema presents a detailed overview of image processing techniques that are used in practice in digital cinema. The book shows how image processing has become ubiquitous in movie-making, from shooting to exhibition. It covers all the ways in which image processing algorithms are used to enhance, restore, adapt, and convert moving images. These techniques and algorithms make the images look as good as possible while exploiting the capabilities of cameras, projectors, and displays. | |
| 650 | 0 | |a Digital cinematography. |0 http://id.loc.gov/authorities/subjects/sh2001001797 | |
| 650 | 0 | |a Image processing |x Digital techniques. |0 http://id.loc.gov/authorities/subjects/sh85064447 | |
| 650 | 6 | |a Cinéma numérique. | |
| 650 | 6 | |a Traitement d'images |x Techniques numériques. | |
| 650 | 7 | |a digital imaging. |2 aat | |
| 650 | 7 | |a Digital cinematography |2 fast | |
| 650 | 7 | |a Image processing |x Digital techniques |2 fast | |
| 758 | |i has work: |a Image processing for cinema (Text) |1 https://id.oclc.org/worldcat/entity/E39PCG8P3pG46YBpbKJ83XmGHC |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | |z 1-322-61270-6 | ||
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| 830 | 0 | |a Chapman & Hall/CRC mathematical and computational imaging sciences. |0 http://id.loc.gov/authorities/names/no2010098244 | |
| 856 | 4 | 0 | |u https://go.oreilly.com/uchicago/library/view/-/9781439899274/?ar |y O'Reilly |
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| 928 | |t Library of Congress classification |a TR860.B478 2014 |l Online |c UC-FullText |u https://go.oreilly.com/uchicago/library/view/-/9781439899274/?ar |z O'Reilly |g ebooks |i 13838618 | ||