Before the Nation : Kokugaku and the Imagining of Community in Early Modern Japan /

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Bibliographic Details
Author / Creator:Burns, Susan L, author.
Imprint:Durham : Duke University Press, [2003]
©2003
Description:1 online resource (294 p.)
Language:English
Series:Asia-Pacific: Culture, Politics, and Society : 44
Subject:
Format: E-Resource Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/13918537
Related Items:Title is part of eBook package: Duke University Press Backlist eBook-Package 2000-2013
Hidden Bibliographic Details
Other authors / contributors:Chow, Rey, editor.
Harootunian, Harry, editor.
Huntington, Madge, editor.
Miyoshi, Masao, editor.
ISBN:9780822384908
Digital file characteristics:text file PDF
Notes:In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)
Summary:Exploring the emergence and evolution of theories of nationhood that continue to be evoked in present-day Japan, Susan L. Burns provides a close examination of the late-eighteenth-century intellectual movement kokugaku, which means "the study of our country." Departing from earlier studies of kokugaku that focused on intellectuals whose work has been valorized by modern scholars, Burns seeks to recover the multiple ways "Japan" as social and cultural identity began to be imagined before modernity.Central to Burns's analysis is Motoori Norinaga's Kojikiden, arguably the most important intellectual work of Japan's early modern period. Burns situates the Kojikiden as one in a series of attempts to analyze and interpret the mythohistories dating from the early eighth century, the Kojiki and Nihon shoki. Norinaga saw these texts as keys to an original, authentic, and idyllic Japan that existed before being tainted by "flawed" foreign influences, notably Confucianism and Buddhism. Hailed in the nineteenth century as the begetter of a new national consciousness, Norinaga's Kojikiden was later condemned by some as a source of Japan's twentieth-century descent into militarism, war, and defeat. Burns looks in depth at three kokugaku writers-Ueda Akinari, Fujitani Mitsue, and Tachibana Moribe-who contested Norinaga's interpretations and produced competing readings of the mythohistories that offered new theories of community as the basis for Japanese social and cultural identity. Though relegated to the footnotes by a later generation of scholars, these writers were quite influential in their day, and by recovering their arguments, Burns reveals kokugaku as a complex debate-involving history, language, and subjectivity-with repercussions extending well into the modern era.
Standard no.:10.1515/9780822384908

MARC

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245 1 0 |a Before the Nation :  |b Kokugaku and the Imagining of Community in Early Modern Japan /  |c Susan L Burns; ed. by Rey Chow, Harry Harootunian, Madge Huntington, Masao Miyoshi. 
264 1 |a Durham :   |b Duke University Press,   |c [2003] 
264 4 |c ©2003 
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490 0 |a Asia-Pacific: Culture, Politics, and Society : 44 
505 0 0 |t Frontmatter --   |t Contents --   |t Acknowledgments --   |t Introduction: Between Community and the Nation --   |t 1. Late Tokugawa Society and the Crisis of Community --   |t 2. Before the Kojikiden: The Divine Age Narrative in Tokugawa Japan --   |t 3. Motoori Norinaga: Discovering Japan --   |t 4. Ueda Akinari: History and Community --   |t 5. Fujitani Mitsue: The Poetics of Community --   |t 6. Tachibana Moribe: Cosmology and Community --   |t 7. National Literature, Intellectual History, and the New Kokugaku --   |t Conclusion: Imagined Japan(s) --   |t Appendix: ''Reading'' the Kojiki --   |t Notes --   |t Works Cited --   |t Index 
520 |a Exploring the emergence and evolution of theories of nationhood that continue to be evoked in present-day Japan, Susan L. Burns provides a close examination of the late-eighteenth-century intellectual movement kokugaku, which means "the study of our country." Departing from earlier studies of kokugaku that focused on intellectuals whose work has been valorized by modern scholars, Burns seeks to recover the multiple ways "Japan" as social and cultural identity began to be imagined before modernity.Central to Burns's analysis is Motoori Norinaga's Kojikiden, arguably the most important intellectual work of Japan's early modern period. Burns situates the Kojikiden as one in a series of attempts to analyze and interpret the mythohistories dating from the early eighth century, the Kojiki and Nihon shoki. Norinaga saw these texts as keys to an original, authentic, and idyllic Japan that existed before being tainted by "flawed" foreign influences, notably Confucianism and Buddhism. Hailed in the nineteenth century as the begetter of a new national consciousness, Norinaga's Kojikiden was later condemned by some as a source of Japan's twentieth-century descent into militarism, war, and defeat. Burns looks in depth at three kokugaku writers-Ueda Akinari, Fujitani Mitsue, and Tachibana Moribe-who contested Norinaga's interpretations and produced competing readings of the mythohistories that offered new theories of community as the basis for Japanese social and cultural identity. Though relegated to the footnotes by a later generation of scholars, these writers were quite influential in their day, and by recovering their arguments, Burns reveals kokugaku as a complex debate-involving history, language, and subjectivity-with repercussions extending well into the modern era. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) 
650 0 |a Kokugaku. 
650 7 |a POLITICAL SCIENCE / General.  |2 bisacsh 
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700 1 |a Harootunian, Harry,   |e editor.  |4 edt  |4 http://id.loc.gov/vocabulary/relators/edt 
700 1 |a Huntington, Madge,   |e editor.  |4 edt  |4 http://id.loc.gov/vocabulary/relators/edt 
700 1 |a Miyoshi, Masao,   |e editor.  |4 edt  |4 http://id.loc.gov/vocabulary/relators/edt 
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