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931021s1993 nyua b 001 0 eng |
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|a 92037233 /MN
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|a 0195054105 (acid-free paper) :
|c $30.00
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|a 0195054105
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|a (OCoLC)26801506
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|a ML410.E44
|b D84 1993
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|a 781.65/092
|2 20
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|a The Duke Ellington reader /
|c edited by Mark Tucker.
|
| 260 |
|
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|a New York :
|b Oxford University Press,
|c 1993.
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| 300 |
|
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|a xxi, 536 p. :
|b ill. ;
|c 25 cm.
|
| 336 |
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|a text
|b txt
|2 rdacontent
|0 http://id.loc.gov/vocabulary/contentTypes/txt
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| 337 |
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|a unmediated
|b n
|2 rdamedia
|0 http://id.loc.gov/vocabulary/mediaTypes/n
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|a volume
|b nc
|2 rdacarrier
|0 http://id.loc.gov/vocabulary/carriers/nc
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| 504 |
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|a Includes bibliographical references and indexes.
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| 505 |
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|g I.
|t Early Years (1899-1927).
|g 1.
|t Ellington on Washington, D. C. (1973).
|g 2.
|t The Washingtonians: First New York Review (1923).
|g 3.
|t Reviews from the Kentucky Club (1925).
|g 4.
|t The Washingtonians "Set New England Dance Crazy" (1927) --
|g II.
|t Cotton Club Bandleader (1927-1932).
|g 5.
|t First Cotton Club Review (1927).
|g 6.
|t R. D. Darrell: Criticism in the Phonograph Monthly Review (1927-1931).
|g 7.
|t Abbe Niles on Ellington (1929).
|g 8.
|t Two Early Interviews (1930).
|t Janet Mabie in the Christian Science Monitor.
|t Florence Zunser in the New York Evening Graphic.
|g 9.
|t Ellington's First Article: "The Duke Steps Out" (1931).
|g 10.
|t The Ellington Orchestra in Cleveland (1931).
|g 11.
|t Ellington Crowned "King of Jazz" by the Pittsburgh Courier (1931).
|g 12.
|t A Landmark in Ellington Criticism: R. D. Darrell's "Black Beauty" (1932) --
|g III.
|t First Trip Abroad (1933).
|g 13.
|t Spike Hughes: Impressions of Ellington in New York (1933).
|g 14.
|t Spike Hughes: "Meet the Duke!" (1933).
|g 15.
|t Ellington at the Palladium (1933).
|g 16.
|t On the Air in London (1933).
|g 17.
|t Ellington Defends His Music (1933).
|g 18.
|t Hugues Panassie: "Duke Ellington at the Salle Pleyel" (1946).
|g 19.
|t Ellington: "My Hunt for Song Titles" (1933) --
|g IV.
|t Into the Swing Era (1933-1942).
|g 20.
|t Wilder Hobson: "Introducing Duke Ellington" (1933).
|g 21.
|t The "Secret" of the Ellington Orchestra (1933).
|g 22.
|t Warren W. Scholl: Profile of Ellington in the Music Lovers' Guide (1934).
|g 23.
|t Roger Pryor Dodge on Black and Tan Fantasy, from "Harpsichords and Jazz Trumpets" (1934).
|g 24.
|t Constant Lambert on Ellington (1934).
|g 25.
|t Ellington's Response to Lambert (1935).
|g 26.
|t Ellington on Gershwin's Porgy and Bess - and a Response from the Office of Irving Mills (1935/1936).
|g 27.
|t John Hammond: "The Tragedy of Duke Ellington" (1935).
|g 28.
|t Enzo Archetti: "In Defense of Ellington and His 'Reminiscing in Tempo'" (1936).
|g 29.
|t Helen Oakley (Dance): The Ellington Orchestra at the Apollo (1936).
|g 30.
|t R. D. Darrell: Ellington in an Encyclopedia (1936).
|g 31.
|t "Ellington Refutes Cry That Swing Started Sex Crimes!" (1937).
|g 32.
|t Aaron Copland on Ellington (1938).
|g 33.
|t Ellington: "From Where I Lie" (1938).
|g 34.
|t Ellington in Down Beat: On Swing and Its Critics (1939).
|g 35.
|t The Parting of Ellington and Irving Mills (1939).
|g 36.
|t Wilder Hobson on Ellington, from Jazzmen (1939).
|g 37.
|t A Celebrity Interview (1941).
|g 38.
|t Ellington: "We, Too, Sing 'America'" (1941).
|g 39.
|t Interview in Los Angeles: On Jump for Joy, Opera, and Dissonance as a "Way of Life" (1941) --
|g V.
|t Black, Brown and Beige (1943).
|g 40.
|t Previews of the First Carnegie Hall Concert (1943).
|t Helen Oakley (Dance) in Down Beat.
|t Howard Taubman in the New York Times Magazine.
|g 41.
|t Program for the First Carnegie Hall Concert (23 January 1943).
|g 42.
|t Two Reviews (1943).
|t Paul Bowles in the New York Herald-Tribune.
|t Mike Levin in Down Beat.
|g 43.
|t The Debate in Jazz (1943).
|t John Hammond: "Is the Duke Deserting Jazz?"
|t Leonard Feather: Leonard Feather Rebuts Hammond.
|t Bob Thiele: "The Case of Jazz Music"
|g 44.
|t Black, Brown and Beige in a List of "Classical Records" (1946).
|g 45.
|t Robert D. Crowley: "Black, Brown, and Beige After 16 Years" (1959).
|g 46.
|t Brian Priestley and Alan Cohen: "Black, Brown & Beige" (1974-1975) --
|g VI.
|t The Hot Bach (1943-1949).
|g 47.
|t Ellington's "Defense of Jazz" (1943/1944).
|g 48.
|t Carnegie Revisited (1943/1944).
|g 49.
|t Richard O. Boyer: "The Hot Bach" (1944).
|g 50.
|t Ellington: "Certainly It's Music!" (1944).
|g 51.
|t Ellington: "Swing Is My Beat!" (1944).
|g 52.
|t An Ellington Solo Piano Transcription in Down Beat (1944).
|g 53.
|t "Why Duke Ellington Avoided Music Schools" (1945).
|g 54.
|t "Interpretations in Jazz: A Conference with Duke Ellington" (1947).
|g 55.
|t Alec Wilder on Ellington (1948) --
|g VII.
|t The Fifties.
|g 56.
|t Ellington's Silver Jubilee in Down Beat (1952).
|t Ellington on Career Highlights.
|t Lists of Favorites.
|t Billy Strayhorn: "The Ellington Effect"
|t Ned Williams on "Early Ellingtonia"
|t Irving Mills: "I Split with Duke When Music Began Sidetracking"
|g 57.
|t Andre Hodeir: "A Masterpiece: Concerto for Cootie" (1954).
|g 58.
|t An African View of Ellington (1955).
|g 59.
|t George Avakian: Ellington at Newport (1956).
|g 60.
|t Ellington: "The Race for Space" (ca. late 1957).
|g 61.
|t Andre Hodeir: "Why Did Ellington 'Remake' His Masterpiece?" (1958).
|g 62.
|t Selections from The Jazz Review (1959).
|t Mimi Clar: "The Style of Duke Ellington"
|t Quincy Jones on Newport 1958.
|t Max Harrison on Anatomy of a Murder --
|g VIII.
|t The Late Years (1960-1974).
|g 63.
|t Irving Townsend: "When Duke Records" (1960).
|g 64.
|t Ellington: "Where Is Jazz Going?" (1962).
|g 65.
|t Pete Welding: "On the Road with the Duke Ellington Orchestra" (1962).
|g 66.
|t Ellington with Stanley Dance: "The Art Is in the Cooking" (1962).
|g 67.
|t Ellington on the Air in Vancouver (1962).
|g 68.
|t Eddie Lambert: "Duke Ellington - 1963" (1963).
|g 69.
|t A. J. Bishop: "Duke's Creole Rhapsody" (1963).
|g 70.
|t Dan Morgenstern on The Ellington Era (1963).
|g 71.
|t A. J. Bishop: "'Reminiscing in Tempo': A Landmark in Jazz Composition" (1964).
|g 72.
|t Ellington: "Reminiscing in Tempo" (1964).
|g 73.
|t Nat Hentoff: "This Cat Needs No Pulitzer Prize" (1965).
|g 74.
|t Ellington: "The Most Essential Instrument" (1965).
|g 75.
|t Ellington: Program Note for "A Concert of Sacred Music" (1965).
|g 76.
|t Rex Stewart at a Recording Session for the First Sacred Concert (1966).
|g 77.
|t Gary Giddins on the Sacred Concerts (1975).
|g 78.
|t Gary Giddins on The Afro-Eurasian Eclipse (1976).
|g 79.
|t Stanley Dance: "The Funeral Address" (1974) --
|g IX.
|t Selected Commentary and Criticism (1964-1993).
|g 80.
|t Max Harrison: "Some Reflections on Ellington's Longer Works" (1964; revised 1991).
|g 81.
|t Ralph Ellison: "Homage to Duke Ellington on His Birthday" (1969).
|g 82.
|t Martin Williams: "Form Beyond Form" (1970; revised 1983, 1993).
|g 83.
|t Albert Murray: From The Hero and the Blues (1973).
|g 84.
|t Gunther Schuller: "Ellington in the Pantheon" (1974).
|g 85.
|t Gunther Schuller: "The Case for Ellington's Music as Living Repertory" (1974).
|g 86.
|t Lawrence Gushee: "Duke Ellington 1940" (1978).
|g 87.
|t Stanley Crouch on Such Sweet Thunder, Suite Thursday, and Anatomy of a Murder (1988) --
|g X.
|t Ellingtonians.
|g 88.
|t Helen Oakley (Dance): "Impressions of Johnny Hodges" (1936).
|g 89.
|t "The Duke Ellingtons - Cotton Clubbers En Masse" (1937).
|g 90.
|t Roger Pryor Dodge on Bubber Miley (1940).
|g 91.
|t Ivie Anderson (1942).
|g 92.
|t Reactions of a Newcomer: Al Sears Interviewed by George T. Simon (1944).
|g 93.
|t Inez M. Cavanaugh: Three Interviews (1945).
|t Otto Hardwick.
|t "Tricky Sam" Nanton.
|t Rex Stewart.
|g 94.
|t Double Play: Harry Carney and Johnny Hodges Interviewed by Don DeMichael (1962).
|g 95.
|t Rex Stewart: "Illustrious Barney Bigard" (1966).
|g 96.
|t Guitarist Freddy Guy Interviewed by John McDonough (1969).
|g 97.
|t Sonny Greer Interviewed by Whitney Balliett (1974).
|g 98.
|t Gary Giddins on Paul Gonsalves (1985).
|g 99.
|t Stanley Crouch on Ben Webster (1986).
|g 100.
|t Billy Strayhorn Interviewed by Bill Coss (1962).
|g 101.
|t Ellington: "Eulogy for Swee' Pea" (1967).
|
| 590 |
|
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|a University of Chicago Library's copy 3 is from the John Steiner Collection, is cloth and has original dust jacket.
|
| 600 |
1 |
0 |
|a Ellington, Duke,
|d 1899-1974
|x Criticism and interpretation.
|
| 650 |
|
0 |
|a Jazz
|x History and criticism
|0 http://id.loc.gov/authorities/subjects/sh2008106048
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| 600 |
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|a Ellington, Duke,
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|a Jazz.
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|a Criticism, interpretation, etc.
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| 700 |
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|a Tucker, Mark,
|d 1954-2000
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|a Ellington, Duke,
|d 1899-1974
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