Bengal nights /

Read together with Maitreyi Devi's It Does Not Die (see below) these two moving novels--one written in 1933, the other more than 40 years later in response to the first--by two world-renowned intellectuals retell the story of their real love affair from two widely divergent perspectives. Eliade (1907-1986), best known as a theologian ( The Sacred and the Profane ), tells his version of the romance with Devi in a thinly disguised autobiographical novel. The narrator, Alain, a young French engineer, gradually enters a mystical realm of artistic energy, eroticism and timelessness when he meets and falls in love with the daughter of a senior colleague with whom he is staying in Calcutta. Alain sees in Maitreyi (whose name Eliade uses in the novel) what the West has stereotypically seen in the East: a mysterious pool of spirituality, irrationality and sensuousness. And, similarly typical of such visions, the relationship is doomed from the start for the very reasons that it remains so compelling. (Apr . ) (c) Copyright PWxyz, LLC. All rights reserved

Eliade (19071986), a major figure in the scholarly study of world religions, tells his version of younger days and of what his ``research'' in India was really all about. This is the roman à clef about a torrid young love blown apart by cultural and colonial chasms in response to which, years later, Maitreyi Devi wrote It Does Not Die (see above). Alain, Eliade's persona in the story, comes to take up residence with an Indian family who have a sublime, mysteriously beautiful daughter, Maitreyi. Though the blossoming young woman has read widely in English, American, and Indian literature, Alain sees in her and her sister a certain savage Otherness that intrigues him. As the young man and the teenager spend more and more time together, they are drawn together and end up, of course, spending passionate nights behind closed doors. As Alain discovers that even the recently virginal Maitreyi knows the sexual secrets of the East, the two are tortured by a foreknowledge that their affair will be discovered by the teen's modernizing, but still traditional, Hindu family. After the younger sister blabs and the father sends Alain away, Maitreyi becomes a victim of her father's physical wrath. Tormented and grandiose (``I suffered ten times more than she at the idea of the punishments she would suffer''), Alain retreats to the Himalayas to tell fellow seekers of Indian truth that they are merely romantics who, unlike him, don't know the real story behind the mysteries of the East. In the end, Alain seems at most to have found that his fantasies don't hold up to concrete experience rather than to have come to any authentic understanding of India. A typical colonial tale of adventure and conquest, with too many fantastic edges to come across as being about actual human beings.