The art of film music : special emphasis on Hugo Friedhofer, Alex North, David Raksin, Leonard Rosenman /

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Bibliographic Details
Author / Creator:Burt, George
Imprint:Boston : Northeastern University Press, c1994.
Description:xi, 266 p. : music ; 24 cm.
Language:English
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/1592560
Hidden Bibliographic Details
Notes:Includes bibliographical references and index.
Table of Contents:
  • Ch. 1. The Story's the Thing. Music's Vital Role. Should Film Music Be Heard? The Contrapuntal Aspect. The Associative Power of Music
  • Ch. 2. Characterization. Individual People. Groups of People. Symbolic Meanings. The Emotional Context. Ambient Time and Place. Source of Music
  • Ch. 3. Emphasizing the Dramatic Line. Musical Accents. The Missing Beat or Pulse. Pacing
  • Ch. 4. The Sequence as a Unit. The Best Years of Our Lives: Homecoming Scene. Laura: Apartment Scene. East of Eden: Climactic Scene
  • Ch. 5. The Sound and Function of Silence: When Music Is Absent. Matter-of-Fact Dialogue. Psychological Containment. Acoustic Space. Moments of Anguish. The Telling Quality of Ambient Sound. The Question of Realism
  • Ch. 6. Practical Matters and the Human Element. The Spotting Process. Timings. Synchronization. Generalized Compositional Approaches. Orchestration and the Orchestra. The Synthesizer. Music Mix and Dubbing.