Discourse and literature : the interplay of form and mind /

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Bibliographic Details
Author / Creator:Cook, Guy
Imprint:Oxford : Oxford University Press, 1994.
Description:x, 285 p. : ill. ; 24 cm.
Language:English
Series:Oxford applied linguistics
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/1612873
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ISBN:0194371859
Notes:Includes bibliographical references (p. [261]-276) and index.
Table of Contents:
  • Acknowledgements
  • Introduction
  • Part 1.
  • 1. A basis for analysis: schema theory, its general principles, history andterminology
  • Introduction
  • Schema theory: general principles
  • Examples demonstrating schemata in discourse processing
  • Evidence for schemata
  • World schemata and text schemata
  • The origins of schema theory
  • Bartlett's Remembering
  • The eclipse of schema theory
  • The revival of schema theory
  • The terminology of schema theory
  • Notes
  • 2. A first bearing: discourse analysis and its limitations
  • Introduction'Text', 'context', and 'discourse'Acceptability above the sentence
  • Cohesion
  • The omission fallacy
  • Meaning as encoding/decoding versus meaning as construction
  • Pragmatic approaches and their capacity to characterize 'literariness'
  • Macro-functions
  • Discourse structure
  • Discourse as process (and literature as conversation)
  • Discourse as dialogue
  • The 'post-scientific' approach
  • Conclusion
  • Notes
  • 3. A second bearing: AI text theory and its limitations
  • Introduction
  • The computational and brain paradigms of language
  • The constructivist principle
  • One system of conceptual construction: conceptual dependency theory (CD)
  • Problems for conceptual constructions
  • A complex AI schema theory
  • Conclusion
  • Notes
  • 4. Testing the AI approach. Two analyses: a 'literary' and a 'non-literary' text
  • Introduction
  • Text One: the opening of Crime and Punishment (translation)
  • Text Two: 'Every cloud has a Silver Lining' (advertisement)
  • Conclusions from analyses
  • Notes
  • 5. A third bearing: literary theories from formalism to stylistics
  • Introduction
  • The rise of 'modern literary theory'
  • Theories of pattern and deviation
  • The formalist theory of defamiliarization
  • Patterns in discourse: structures and structuralism
  • Roman Jakobson's poetics
  • Conclusion
  • Notes
  • 6. Incorporating the reader: two analyses combining stylistics and schema theory
  • Introduction
  • Text Three: 'Elizabeth Taylor's Passion' (advertisement)
  • Text Four: 'First World War Poets' (poem)
  • Incorporating the reader
  • Notes
  • Part 2.
  • 7. A theory of discourse deviation: schema refreshment and cognitive change
  • Introduction: the argument so far
  • The need for schema change
  • Prelude to the theory: earlier accounts of schema change
  • A theory of literary discourse: schema refreshment and cognitive change
  • A theory of literary discourse: discourse deviation
  • Defamiliarization revisited
  • Notes
  • 8. Application of the theory: discourse deviation in three literary texts
  • Introduction
  • Text Five: 'The Tyger'
  • Text Six: The Turn of the Screw
  • Text Seven: 'The Windhover'
  • Conclusion
  • Notes
  • 9. What the theory means for literature teaching
  • Appendix A. Grammatical notation: symbols and abbreviations
  • Appendix B. Conceptual dependency (CD) and semantics
  • Bibliography
  • Index