The keyboard music of C.P.E. Bach, considered in relation to his musical aesthetic and the rise of the sonata principle.

The keyboard music of C.P.E. Bach, considered in relation to his musical aesthetic and the rise of the sonata principle.

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Bibliographic Details
Author / Creator:Barford, Philip.
Imprint:London, Barrie and Rockliff [1965]
Description:xv, 186 pages facsimile, music 26 cm
Language:English
Subject:
Bach, Carl Philipp Emanuel, -- 1714-1788. -- Keyboard music.
Keyboard music (Bach, Carl Philipp Emanuel)
Music -- Philosophy and aesthetics.
Sonata.
Music -- Philosophy and aesthetics.
Sonata.
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/2074030
Hidden Bibliographic Details
Notes:Includes bibliographical references (p. [177]-178; discography: p. [179]-180. "Modern editions of C.P.E. Bach's solo keyboard music": pages [181]-182).

MARC

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505 0 |a Foreword -- Carl Philipp Emanuel Bach 1714-1788 -- Critical approach to the subject -- Classification of important keyboard music with a note on instruments -- Improvisation and Fantasia -- The Fantasia in E flat major -- C.P.E. Bach and the Sonata -- The "Prussian" Sonatas -- The 'Wurttemberg' Sonatas -- Probe-Stücke -- The "Sonatas with Altered Reprises" -- The "Sonatas for Connoisseurs and Amateurs" -- The "Rondos for Connoisseurs and Amateurs" -- Three Fugues and some miscellaneous pieces -- A final appraisal -- Appendix one : C.P.E. Bach's views on performance with some practical suggestions -- Appendix two : Three Fugues. 
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