The keyboard music of C.P.E. Bach, considered in relation to his musical aesthetic and the rise of the sonata principle.

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Bibliographic Details
Author / Creator:	Barford, Philip.
Imprint:	London, Barrie and Rockliff [1965]
Description:	xv, 186 pages facsimile, music 26 cm
Language:	English
Subject:	Bach, Carl Philipp Emanuel, -- 1714-1788. -- Keyboard music. Keyboard music (Bach, Carl Philipp Emanuel) Music -- Philosophy and aesthetics. Sonata. Music -- Philosophy and aesthetics. Sonata.
Format:	Print Book
URL for this record:	http://pi.lib.uchicago.edu/1001/cat/bib/2074030

Hidden Bibliographic Details
Notes:	Includes bibliographical references (p. [177]-178; discography: p. [179]-180. "Modern editions of C.P.E. Bach's solo keyboard music": pages [181]-182).

Table of Contents:

Foreword
Carl Philipp Emanuel Bach 1714-1788
Critical approach to the subject
Classification of important keyboard music with a note on instruments
Improvisation and Fantasia
The Fantasia in E flat major
C.P.E. Bach and the Sonata
The "Prussian" Sonatas
The 'Wurttemberg' Sonatas
Probe-Stücke
The "Sonatas with Altered Reprises"
The "Sonatas for Connoisseurs and Amateurs"
The "Rondos for Connoisseurs and Amateurs"
Three Fugues and some miscellaneous pieces
A final appraisal
Appendix one : C.P.E. Bach's views on performance with some practical suggestions
Appendix two : Three Fugues.

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