Cultural sniping : the art of transgression /
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| Author / Creator: | Spence, Jo |
|---|---|
| Imprint: | London ; New York : Routledge, 1995. |
| Description: | 249 p. : ill. (some col.) ; 26 cm. |
| Language: | English |
| Series: | Comedia |
| Subject: | |
| Format: | Print Book |
| URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/2366613 |
Table of Contents:
- Acknowledgements
- Editor's Preface
- Introduction
- Chronology of Jo Spence's Life
- Class, Realism and Beyond
- 1. The Politics of Photography
- 2. The Unpolitical Photograph?
- 3. What Did You Do in the War, Mummy?
- 4. Project on Identity
- 5. The Sign as a Site of Class Struggle
- 6. Thoughts on the Process of Exhibition Selection
- 7. Fairy Tales and Photography
- 8. An Omnibus Dossier
- 9. Remodelling Photo-History
- 10. Ten Years of Photography Workshop
- 11. Questioning Documentary Practice?
- Notes to Part One
- A Crisis Risis of Representation Health and Bodies
- 12. The Picture of Health?
- 13. Tip of the Iceberg
- 14. Identity and Cultural Production
- 15. Body Beautiful or Body in Crisis
- Notes to Part Two
- Identity, Photography, Therapy
- 16. New Knots, 1983
- 17. The Politics of Transformation
- 18. 'Could Do Better'...
- 19. Phototherapy
- 20. Phototherapy
- 21. Reworking the Family Album
- 22. The Daughter's Gaze
- 23. Class Confusion or Cultural Solidarity?
- 24. Cultural Sniper: Passing/Out
- 25. The Artist and Illness
- 26. 'the Crisis Project
- Notes on 'the Final Project: a Photofantasy and Phototherapeutic Exploration of Life and Death'
- Notes to Part Three
- Recommended Reading
- Exhibitions by Jo Spence
- Resources Resources List
- Index