Preface Dante's Political Purgatory was conceived as a whole in two parts: a political biography of Dante Alighieri followed by a detailed analysis of the political thread that runs throughout his Purgatorio . The first part offers something otherwise unavailable in English: a sketch of the poet's experience of politics from his birth in a Guelf commune to his death after twenty years of exile and the way this experience is inextricably bound up with his writings. The latter were for the most part composed during that exile, when Dante virtually never ceased proclaiming the need to accept the divine ordering of the world under God's two representatives on earth, the Pope supreme in the spiritual sphere and the Emperor supreme in the political realm. The second major section leads to the inescapable conclusion that the Purgatorio was inspired in large measure by the lesson drawn by the poet from Henry VII's attempts (1310-1313) to restore imperial power and authority in Italy. The lesson of those four years does not imply merely a denunciation of the causes for the failure of Henry's enterprise: it includes the immense hopes aroused in the poet's breast by that same enterprise, which appeared to him as proof that his political ideal was no utopian vision but a paraedenic state that could be realized on earth. Henry's failure stood as a supreme warning to contemporary humanity and its leaders, but it could also be seen as an incitement to abandon the Dark Wood of spiritual and political anarchy and to achieve God's purpose for humanity on earth. Excerpted from Dante's Political Purgatory by John A. Scott All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.
