Sculpture conservation : preservation or interference? /
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| Imprint: | Aldershot, England ; Brookfield, Vt. : Scolar Press, c1997. |
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| Description: | xxxii, 208 p., [30] p. of plates : ill. (some col.) ; 26 cm. |
| Language: | English |
| Subject: | |
| Format: | Print Book |
| URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/2777157 |
Table of Contents:
- Preface and Acknowledgements
- List of Plates
- Introduction
- Cathedrals in England: The Statutory Context for Conservation
- Sculpture Conservation in England and Wales: An Architect's View
- The Bureaucratic Tendency: Polemic Relections on the Control of Conservation Work, with Reference to the Romanesque Frieze at Lincoln Cathedral
- The Historic Monuments of France and their Fate: Who Makes the Decisions?
- Conservation: A Direct Route to the Protection and Study of Monuments
- Sculpture in Active Service
- Preservation or Desecration? The Legal Position of the Restorer
- A Standard for Care: The Role of English Heritage in the Provision of Conservation Expertise
- Sculpture Conservation: Treatment or Reinterpretation?
- An Assessment of the "Lime Method" of Conservation of Exterior Limestone Sculpture
- Treatment and Protection of Public Monumental Stone Sculpture in Britain: The Role of the Sculpture Conservator
- Perspectives on the Repatination of Outdoor Bronze Sculptures
- The Monument to George Home, First Earl of Dunbar, by Maximilian Colt, c.1611, in Dunbar Parish Church
- Vasari's Theory on the Origins of Oil Painting and its Influence on Cleaning Methods: The Ruined Polychromy of the Early Thirteenth-Century Crucifix from Haug, Norway
- Problems in the Cleaning of Polychromed Wood Sculpture
- Pietro Torrigiano's Tomb of Dr Yonge in the Public Record Office: Conservation Discoveries and Decisions
- A View of Sculpture Conservation in Finland
- Variations in the Surface of Stone Owing to the Presence of Organic and Inorganic Substances
- The Display and Conservation of Sculpture at Petworth
- Some Observations and Reflections on the Restoration of Antique Sculpture in the Eighteenth Century