Rhapsodies in Black : art of the Harlem Renaissance /

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Bibliographic Details
Imprint:London : Hayward Gallery, the Institute of International Visual Arts ; Berkeley : University of California Press, c1997.
Description:182 p. : ill. (some col.) ; 29 cm.
Language:English
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/2788074
Hidden Bibliographic Details
Other authors / contributors:Bailey, David A.
Powell, Richard J., 1953-
Hayward Gallery.
Institute of International Visual Arts.
Corcoran Gallery of Art.
ISBN:0520212630 (cloth)
0520212681 (pbk.)
Notes:"Jointly published by the Hayward Gallery, the Institute of International Visual Arts on the occasion of the exhibition Rhapsodies in Black: art of the Harlem Renaissance, organized by the Hayward Gallery, London in collaboration with the Corcoran Gallery of Art, Washington, D.C. and the Institute of International Visual Arts, London"--T.p. verso.
"Exhibition devised and selected by Richard J. Powell and David A. Bailey"--T.p. verso.
Includes bibliographical references.
Description
Summary:Harlem has captivated the imagination of writers, artists, intellectuals, and politicians around the world since the early decades of this century. Rhapsodies in Black: Art of the Harlem Renaissance examines the cultural reawakening of Harlem in the 1920s and 1930s as a key moment in twentieth-century art history, one that transcended regional and racial boundaries. Published to coincide with the exhibition that opens in England and travels to the United States, this catalog reflects the Harlem Renaissance's impressive range of art forms--literature, music, dance, theater, painting, sculpture, photography, film, and graphic design. The participants included not only artists based in New York, but also those from other parts of the United States, the Caribbean, and Europe.<br> <br> Richard J. Powell and David A. Bailey present selected works that focus on six themes: Representing "The New Negro;" Another Modernism; Blues, Jazz, and the Performative Paradigm; The Cult of the Primitive; Africa: Inheritance and Seizure; and Jacob Lawrence's Toussaint L'Ouverture series. The visual arts from 1919 to 1938 included in the book suggest the extraordinary vibrancy of the time when Harlem was a metaphor for modernity. In spite of the importance of the Harlem Renaissance to early twentieth-century American culture and to the artistic climate of "Jazz Age" Paris and Weimar Berlin, few art exhibitions have been devoted exclusively to the subject. Rhapsodies in Black will be welcomed for its unique presentation of this creative time.
Item Description:"Jointly published by the Hayward Gallery, the Institute of International Visual Arts on the occasion of the exhibition Rhapsodies in Black: art of the Harlem Renaissance, organized by the Hayward Gallery, London in collaboration with the Corcoran Gallery of Art, Washington, D.C. and the Institute of International Visual Arts, London"--T.p. verso.
"Exhibition devised and selected by Richard J. Powell and David A. Bailey"--T.p. verso.
Physical Description:182 p. : ill. (some col.) ; 29 cm.
Bibliography:Includes bibliographical references.
ISBN:0520212630
0520212681