Wilkie Collins /
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| Imprint: | New York : St. Martin's Press, 1998. |
|---|---|
| Description: | ix, 280 p. ; 23 cm. |
| Language: | English |
| Series: | New casebooks |
| Subject: | |
| Format: | Print Book |
| URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/3214944 |
Table of Contents:
- Acknowledgements
- General Editors' Preface
- Introduction
- 1.. What is 'Sensational' about the 'Sensation Novel'?
- 2.. The Counterworld of Victorian Fiction and The Woman in White
- 3.. The Sensationalism of The Woman in White
- 4.. Reading Detection in The Woman in White
- 5.. Ghostlier Determinations: The Economy of Sensation and The Woman in White
- 6.. Rewriting the Male Plot in Wilkie Collins's No Name
- 7.. Armadale: The Sensitive Subject as Palimpsest
- 8.. Dreams, Transformations and Literature: The Implications of Detective Fiction
- 9.. From roman policier to roman-police: Wilkie Collins's The Moonstone
- 10.. Family Secrets and the Mysteries of The Moonstone
- 11.. Blank Spaces: Ideological Tensions and the Detective Work of The Moonstone
- Further Reading
- Notes on Contributors
- Index