The visual culture reader /
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| Imprint: | London ; New York : Routledge, 1998. |
|---|---|
| Description: | xvi, 530 p. : ill. ; 26 cm. |
| Language: | English |
| Subject: | |
| Format: | Print Book |
| URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/3560261 |
Table of Contents:
- Part 1. Introductions/Provocations/Conversations
- The Subject of Visual Culture
- Studying Visual Culture
- Narrativizing Visual Culture: Towards a Polycentric Aesthetics
- Voices from the Web
- Kino-I, Kino-World: Notes on the Cinematic Mode of Production
- Conversations in Visual Culture
- Part 2. Plug In Theory
- Optics
- The Fetishism of the Commodity
- Double-Consciousness
- Woman in a Mirror
- The Fact of Blackness
- Rhetoric of the Image
- Four Fundamental Concepts of Pyschoanalysis
- The Society of the Spectacle
- Ideology and Ideological State Apparatuses
- Simulacra and Simulations
- Prohibition, Psychoanalysis and the Heterosexual Matrix
- Part 3. Global/Digital
- (a.) Imagining Globalization Here and Now
- Remaking Passports: Visual Thought and the debate on multiculturalism
- Ethnicity and Internationality: New British Art and Diaspora-Based Blackness
- The Multiple Viewpoint: Diaspora and Visual Culture
- Gender, Nationalism and Internationalism in Japanese contemporary art
- (b.) The Space of the Digital of Other Spaces
- Spectres of Cyberspace
- Othering Cyberspace
- Where Do You Want to Go Today? Cybernetic Tourism, the Internet and Transnationality
- Eden by Wire: Webcameras and the Telepresent Landscape
- Satellite and Cyber Visualities: Analyzing the Digital Earth
- Part 4. Spectacle And Display
- Spectacle, Display, Surveillance: Historical Citizenship and the Fremantle Prison Follies
- Come to Western Australia
- Visual Stories
- The Great Un-American Numbers Game
- The Wall, the Screen and the Image: The Vietnam Veterans' Memorial
- The Prison House of Culture: Why African Art? Why the Guggenheim? Why Now?
- Videotech
- What is Digital Cinema? Lev Manovich, Film and the Digital in Visual Studies: Film Studies in the Era of Convergence
- Kung-Fu Cinema and Frugality
- The Video Public Sphere
- Part 5. Visual Colonialism/Visual Transculture
- Visual Colonialism, Visual Regimes of Colonisation: Aboriginal Seeing and European Vision in Australia
- Orientalism and the Exhibitionary Order
- Soft-Soaping Empire: Commodity Racism and Imperial Advertising
- from The Colonial Harem
- Vodun Art, Social History and the Slave Trade
- Passing for White, Passing for Black
- The Other History of Intercultural Performance
- Photography and the Substance of the Image
- Engendering New Worlds: Allegories of Rape and Reconciliation
- Part 6. The Gaze, the Body, and Sexuality (a) The Gaze and Sexuality Ideal Masculinities: An Anatomy