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|a PR2979.I7
|b I83 1999
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|a 822.3/3
|2 21
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| 245 |
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|a Italian studies in Shakespeare and his contemporaries /
|c edited by Michele Marrapodi and Giorgio Melchiori.
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| 260 |
|
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|a Newark :
|b University of Delaware Press ;
|a London ;
|a Cranbury, NJ :
|b Associated University Presses,
|c c1999.
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| 300 |
|
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|a 299 p. ;
|c 25 cm.
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| 336 |
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|a text
|b txt
|2 rdacontent
|0 http://id.loc.gov/vocabulary/contentTypes/txt
|
| 337 |
|
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|a unmediated
|b n
|2 rdamedia
|0 http://id.loc.gov/vocabulary/mediaTypes/n
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| 338 |
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|a volume
|b nc
|2 rdacarrier
|0 http://id.loc.gov/vocabulary/carriers/nc
|
| 440 |
|
0 |
|a International studies in Shakespeare and his contemporaries
|
| 504 |
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|a Includes bibliographical references (p. 279-287) and index.
|
| 505 |
0 |
0 |
|t Introduction: Shakespeare Studies in Italy Since 1964 /
|r Michele Marrapodi --
|t With a Postscript /
|r Giorgio Melchiori --
|t A Midsummer Night's Dream: An Example of Shakespeare's Specularity /
|r Marcello Pagnini --
|t Bonds of Love and Death in The Merchant of Venice /
|r Alessandro Serpieri --
|t The Interdiction of Eroticism in Shakespeare's Histories /
|r Fernando Ferrara --
|t Shakespeare's Discursive Strategies and Their Definitions of Subjectivity /
|r Angela Locatelli --
|t In a Time of Unrest: A Role for the Theater in Measure for Measure /
|r Vito Amoruso --
|t Shakespeare's Uncultured Caesar on the Elizabethan Stage /
|r Claudia Corti --
|t Shakespeare's History Plays as a "Scene" of the Disappearance of Popular Discourse /
|r Laura Di Michele --
|t "Now I play a merchant's part": The Space of the Merchant in Shakespeare's Early Comedies /
|r Mariangela Tempera --
|t Three Kings, Herod of Jewry, and a Child: Apocalypse and Infinity of the World in Antony and Cleopatra /
|r Gilberto Sacerdoti --
|t A National Idiom and Other Languages: Notes on Elizabethan Ambivalence with Examples from Shakespeare /
|r Vanna Gentili --
|t "But thou didst understand me by my signs": The Instability of Signs in King John /
|r Roberta Mullini --
|t "Let her witness it": The Rhetoric of Desdemona /
|r Michele Marrapodi --
|t "Great mischiefs mask in expected pleasures": The Rhetoric of Expectation and the Rhetoric of Surprise in English Baroque Theater /
|r Franco Marenco --
|t From Shakespeare to Dryden: Three Dramatic Incipits /
|r Viola Papetti.
|
| 600 |
1 |
0 |
|a Shakespeare, William,
|d 1564-1616
|x Criticism and interpretation.
|
| 600 |
1 |
0 |
|a Shakespeare, William,
|d 1564-1616
|x Contemporaries.
|
| 650 |
|
0 |
|a English drama
|y Early modern and Elizabethan, 1500-1600
|x History and criticism.
|0 http://id.loc.gov/authorities/subjects/sh2008103081
|
| 600 |
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|a Shakespeare, William,
|d 1564-1616
|2 fast
|0 http://id.worldcat.org/fast/fst00029048
|1 http://viaf.org/viaf/96994048
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| 650 |
|
7 |
|a Contemporaries.
|2 fast
|0 http://id.worldcat.org/fast/fst01352538
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| 650 |
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7 |
|a English drama
|x Early modern and Elizabethan.
|2 fast
|0 http://id.worldcat.org/fast/fst01710950
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| 648 |
|
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|a 1500-1600
|2 fast
|
| 655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|0 http://id.worldcat.org/fast/fst01411635
|
| 700 |
1 |
|
|a Marrapodi, Michele.
|0 http://id.loc.gov/authorities/names/n85178012
|1 http://viaf.org/viaf/71419934
|
| 700 |
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|
|a Melchiori, Giorgio.
|0 http://id.loc.gov/authorities/names/n79106063
|1 http://viaf.org/viaf/109797902
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|t Library of Congress classification
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|t Library of Congress classification
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