The lively ART : a treasury of criticism, commentary, observation, and insight from twenty years of the American Repertory Theatre /

The lively ART : a treasury of criticism, commentary, observation, and insight from twenty years of the American Repertory Theatre /

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Bibliographic Details
Imprint:Chicago : Ivan R. Dee, 1999.
Description:xv, 320 p. : ill. ; 25 cm.
Language:English
Subject:
American Repertory Theatre -- History.
American Repertory Theatre (Cambridge, Mass.)
Theater -- Massachusetts -- Cambridge -- History -- 20th century.
Theater.
Massachusetts -- Cambridge.
History.
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/3831055
Hidden Bibliographic Details
Other authors / contributors:Holmberg, Arthur.
Geidt, Jan.
Kasper, Lynn.
ISBN:1566632447 (alk. paper)
Notes:Includes index.

MARC

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245 0 4 |a The lively ART :  |b a treasury of criticism, commentary, observation, and insight from twenty years of the American Repertory Theatre /  |c edited by Arthur Holmberg ;with an introduction by Robert Brustein and Reflections by Robert J. Orchard ; Jan Geidt and Lynn Kasper, associate editors. 
260 |a Chicago :  |b Ivan R. Dee,  |c 1999. 
300 |a xv, 320 p. :  |b ill. ;  |c 25 cm. 
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500 |a Includes index. 
505 0 0 |t Preface /  |r Arthur Holmberg --  |t Introduction /  |r Robert Brustein --  |t Erotic Dreams [A Midsummer Night's Dream] /  |r Arthur Holmberg --  |t A Note on the Translation of The Inspector General [The Inspector General] /  |r Sam Guckenheimer and Peter Sellars --  |t A Note on Names in Revizor [The Inspector General] /  |r Donald Fanger --  |t Feiffer on Grownups [Grownups] /  |r David Edelstein --  |t Seeking the Source of Farce [Sganarelle] /  |r Andrei Serban --  |t Bravos for A.R.T. in Europe [Sganarelle] /  |r Jeremy Geidt --  |t Handel's Orlando: Scenes, Machines, Songs, and Dances [Orlando] /  |r Peter Sellars --  |t Carlos Fuentes Turns to Theatre [Orchids in the Moonlight] /  |r Arthur Holmberg --  |t Serban's Three Sisters: While the Light Lasts [Three Sisters] /  |r Arthur Holmberg --  |t Marsha Norman on Playwriting ['Night, Mother] /  |r Robert Brustein --  |t Jonathan Miller Rehearses [The School for Scandal] /  |r Arthur Holmberg --  |t David Leveaux on A Moon for the Misbegotten [A Moon for the Misbegotten] /  |r Laura Rice --  |t Huckleberry Finn and the Stage: Will the Twain Ever Meet? [Big River] /  |r Glenda Hobbs --  |t Brustein's Hall of Mirrors [Six Characters in Search of an Author] /  |r Arthur Holmberg --  |t Taking the Imaginary Seriously [The King Stag] /  |r Andrei Serban --  |t Statements of Samuel Beckett, Barney Rosset of Grove Press, and Robert Brustein of the American Repertory Theatre [Endgame] --  |t On Jacques and His Master [Jacques and His Master] /  |r Susan Sontag --  |t Milan Kundera: The Paradox of Play [Jacques and His Master] /  |r Arthur Holmberg --  |t Susan Sontag: The Odd Couple in Extremis [Jacques and His Master] /  |r Arthur Holmberg --  |t A Conversation with Robert Wilson and Heiner Muller [the CIVIL warS] /  |r Arthur Holmberg --  |t Robert Brustein Discusses The Changeling [The Changeling] /  |r Jonathan Marks --  |t Robert Brustein: Why Do Theatre? --  |t Robert Brustein Defines Theatre: "... works that assume the power of dreams ..." --  |t Duets, Trios, Quartets, and Quintets: World Premiere of The Juniper Tree [The Juniper Tree] /  |r Donna DiNovelli --  |t JoAnne Akalaitis Discusses Genet and The Balcony [The Balcony] /  |r Erin Mee --  |t Robert Wilson: The Stage as Mask [Alcestis] /  |r Nina Mankin --  |t The Door Inside The Day Room (Notes Toward a Definitive Meditation) [The Day Room] /  |r Don DeLillo --  |t Robert Brustein on Auteurs, Authors, and Actors /  |r Jonathan Marks --  |t Richard Foreman: Directing with His Head and His Feet [End of the World (With Symposium to Follow)] /  |r Donna DiNovelli --  |t Brecht Is No Longer Dangerous [The Good Woman of Setzuan] /  |r Andrei Serban --  |t Dario Fo: Andiamo a Ridere [Archangels Don't Play Pinball] /  |r Arthur Holmberg --  |t Reflections on Reflections [Right You Are (If You Think You Are)] /  |r Arthur Holmberg --  |t Machiavellis of the Bedroom - An Erotic Endgame [Quartet] /  |r Arthur Holmberg --  |t Philip Glass: Emotion in Pure Form [The Fall of the House of Usher] /  |r Arthur Holmberg --  |t Tragedy Could Go No Further: Reflections on Ford's Tis Pity She's a Whore [Tis Pity She's Whore] /  |r Harry Levin --  |t Gozzi's Theatre: Clowns as Challengers [The Serpent Woman] /  |r Andrei Serban --  |t Elliot Goldenthal: Big Music for Big Mythic Themes [The Serpent Woman] /  |r Christopher Baker --  |t Liviu Ciulei: Sculpting Shapes for the Stage [Platonov] /  |r Arthur Holmberg --  |t Larry Gelbart: Covert Comedy / Scandalous Satire [Mastergate] /  |r Arthur Holmberg --  |t Andrei Serban Introduces The Miser [The Miser] --  |t Calderon Comes to Cambridge [Life Is a Dream] /  |r Carlos Fuentes --  |t Anne Bogart: Splintering the Mirror of Calderon [Life Is a Dream] /  |r Elizabeth C. Ramirez --  |t Notes on Twelfth Night [Twelfth Night] /  |r Andrei Serban --  |t Robert Brustein: The Lava Beneath the Surface [The Father] /  |r Robert Scanlan --  |t Strindberg's "Invention" [The Father] /  |r Richard Gilman --  |t Brecht and the Law: An Interview with Harvard Law Professor Martha Minow [The Caucasian Chalk Circle] /  |r Sean Abbott --  |t Henrik Ibsen and Robert Wilson: New Weapons and New Armor [When We Dead Awaken] /  |r Robert Brustein --  |t The Disease of Art: Ibsen's When We Dead Awaken [When We Dead Awaken] /  |r Arthur Holmberg --  |t Trinidadian Pastiche [Steel] /  |r Thomas C. Holt --  |t The Demand for Love [King Lear] /  |r Stephen Greenblatt --  |t What Should the Ghost Look Like? [Hamlet] /  |r Jan Kott --  |t Shakespeare's Envy: Ibsen's Hedda [Hedda Gabler] /  |r Harold Bloom --  |t Hedda Gabler: A Feminist Debate: Two Leading Feminist Writers Assess Ibsen's Most Famous Female [Hedda Gabler] /  |r Molly Haskell and Anne Roiphe --  |t The Language of Misunderstanding [Oleanna] /  |r Arthur Holmberg --  |t Diary of a Dead Man or The Theatre Novel [Black Snow] /  |r Anatoly Smelyansky --  |t David Rabe: From Hurlyburly to Those the River Keeps [Those the River Keeps] /  |r David Edelstein --  |t Henry IV [Henry IV] /  |r David Bevington --  |t The Journey of Shlemiel the First: "All Roads Lead to Chelm" [Shlemiel the First] /  |r Heather Lindsley --  |t Coming into the Light [Waiting for Godot] /  |r Robert Scanlan --  |t Body and Soul: Naomi Wallace's Slaughter City [Slaughter City] /  |r Gideon Lester --  |t Shock Art [The Naked Eye] /  |r Paul Rudnick --  |t David Mamet; It's Never Easy to Go Back [The Old Neighborhood] /  |r Arthur Holmberg --  |t Francois Rochaix and Jean-Claude Maret: Geneva Convention [The Bacchae] /  |r Doug Kirshen --  |t Symposium Excerpts [The Taming of the Shrew] --  |t Andrei Belgrader and Shelley Berc: The Mischievous Duo [The Imaginary Invalid] /  |r Michelle Powell --  |t Robert Brustein: The Price of Fame [Nobody Dies on Friday] /  |r Arthur Holmberg --  |t Paula Vogel: Through the Eyes of Lolita [How I Learned to Drive] /  |r Arthur Holmberg --  |t Christopher Durang: Family Survival [The Marriage of Bette and Boo] /  |r Arthur Holmberg --  |t Liz Diamond: Facing the Monster [Phaedra] /  |r Jennifer Kiger --  |t Andrei Serban: In Search of Understanding [The Merchant of Venice] /  |r Gideon Lester --  |t The Jew in the Spotlight [The Merchant of Venice] /  |r Gideon Lester --  |t Reflections /  |r Rob Orchard --  |t A Complete Listing of A.R.T. Productions, 1980-1999 --  |t The A.R.T. Professional Acting Company, 1980-1999 --  |t Index of Names and Plays in the Text. 
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