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|a 0802041205 (acid-free paper)
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|a 0802079644 (pbk.)
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|a (OCoLC)40813649
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|b G46 1999
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|a 791.43/082/0971
|2 21
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| 245 |
0 |
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|a Gendering the nation :
|b Canadian women's cinema /
|c edited by Kay Armatage ... [et al.].
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| 260 |
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|a Toronto ;
|a Buffalo :
|b University of Toronto Press,
|c c1999.
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| 300 |
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|a xi, 329 p. ;
|c 24 cm.
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| 336 |
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|a text
|b txt
|2 rdacontent
|0 http://id.loc.gov/vocabulary/contentTypes/txt
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| 337 |
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|a unmediated
|b n
|2 rdamedia
|0 http://id.loc.gov/vocabulary/mediaTypes/n
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|a volume
|b nc
|2 rdacarrier
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| 504 |
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|a Includes bibliographical references (p. [311]-316) and index.
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| 505 |
0 |
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|t Gendering the Nation /
|r Kay Armatage, Kass Banning and Brenda Longfellow /
|r [et al.] --
|t Pioneer.
|t Nell Shipman: A Case of Heroic Femininity /
|r Kay Armatage --
|t Documentary.
|t Studio D's Imagined Community: From Development (1974) to Realignment (1986-1990) /
|r Elizabeth Anderson.
|t Anti-Porn: Soft Issue, Hard World /
|r B. Ruby Rich.
|t Storytelling and Resistance: The Documentary Practice of Alanis Obomsawin /
|r Zuzana Pick.
|t A Cinema of Duty: The Films of Jennifer Hodge de Silva /
|r Cameron Bailey.
|t Keepers of the Power: Story as Covenant in the Films of Loretta Todd, Shelley Niro, and Christine Welsh /
|r Carol Kalafatic.
|t To Document - to Imagine - to Simulate /
|r Ron Burnett --
|t Avant-Garde.
|t Feminist Avant-Garde Cinema: From Introspection to Retrospection /
|r Janine Marchessault.
|t The Scene of the Crime: Genealogies of Absence in the Films of Patricia Gruben /
|r Susan Lord --
|t Narrative Fiction.
|t Gender, Landscape, and Colonial Allegories in The Far Shore, Loyalties, and Movements du desir /
|r Brenda Longfellow.
|t A Minority on Someone Else's Continent: Identity, Difference, and the Media in the Films of Patricia Rozema /
|r Robert L. Cagle.
|t Barbaras en Quebec: Variations on Identity /
|r Chantal Nadeau.
|t Mourning the Woman's Film: The Dislocated Spectator of The Company of Strangers /
|r Catherine Russell.
|t Fragmenting the Feminine: Aesthetic Memory in Anne Claire Poirier's Cinema /
|r Joan Nicks.
|t Two plus Two: Contesting the Boundaries of Identity in Two Films by Micheline Lanctot /
|r Peter Harcourt.
|t Cowards, Bullies, and Cadavers: Feminist Re-Mappings of the Passive Male Body in English-Canadian and Quebecois Cinema /
|r Lee Parpart.
|t Querying/Queering the Nation /
|r Jean Bruce.
|t Playing in the Light: Canadianizing Race and Nation /
|r Kass Banning.
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| 650 |
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|a Women motion picture producers and directors
|z Canada.
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| 650 |
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0 |
|a Feminist motion pictures
|z Canada
|x History and criticism.
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| 650 |
|
7 |
|a Feminist films.
|2 fast
|0 http://id.worldcat.org/fast/fst01715726
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| 650 |
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7 |
|a Women motion picture producers and directors.
|2 fast
|0 http://id.worldcat.org/fast/fst01178163
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| 651 |
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7 |
|a Canada.
|2 fast
|0 http://id.worldcat.org/fast/fst01204310
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| 655 |
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|a Criticism, interpretation, etc.
|2 fast
|0 http://id.worldcat.org/fast/fst01411635
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| 700 |
1 |
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|a Armatage, Kay.
|0 http://id.loc.gov/authorities/names/no99057379
|1 http://viaf.org/viaf/78416100
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|t Library of Congress classification
|a PN1995.9.W6 G46 1999
|l JRL
|c JRL-Gen
|i 3946451
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|t Library of Congress classification
|a PN1995.9.W6 G46 1999
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