Critical passions : selected essays /

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Bibliographic Details
Author / Creator:Franco, Jean.
Imprint:Durham [N.C.] : Duke University Press, 1999.
Description:vi, 536 p. ; 24 cm.
Language:English
Series:Post-contemporary interventions
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/4147236
Hidden Bibliographic Details
Other authors / contributors:Pratt, Mary Louise, 1948-
Newman, Kathleen E. (Kathleen Elizabeth)
ISBN:0822322315 (cloth : alk. paper)
082232248X (pbk. : alk. paper)
Notes:Includes bibliographical references and index.

MARC

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245 1 0 |a Critical passions :  |b selected essays /  |c Jean Franco ; edited, and with an introduction by Mary Louise Pratt and Kathleen Newman. 
260 |a Durham [N.C.] :  |b Duke University Press,  |c 1999. 
300 |a vi, 536 p. ;  |c 24 cm. 
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440 0 |a Post-contemporary interventions 
504 |a Includes bibliographical references and index. 
505 0 0 |t Introduction: The Committed Critic /  |r Mary Louise Pratt and Kathleen Newman --  |g 1.  |t Feminism and the Critique of Authoritarianism.  |t Killing Priests, Nuns, Women, Children (1985).  |t Gender, Death, and Resistance: Facing the Ethical Vacuum (1986).  |t "Manhattan Will Be More Exotic This Fall": The Iconization of Frida Kahlo (1991).  |t Going Public: Reinhabiting the Private (1992).  |t La Malinche: From Gift to Sexual Contract (1992).  |t The Finezas of Sor Juana (1993).  |t From Romance to Refractory Aesthetic (1996).  |t The Mares of the Apocalypse (1996).  |t The Gender Wars (1996) --  |g 2.  |t Mass and Popular Culture.  |t A Not-So-Romantic Journey: British Travelers to South America, 1818-28 (1979).  |t Narrator, Author, Superstar: Latin American Narrative in the Age of Mass Culture (1981).  |t What's in a Name? Popular Culture Theories and Their Limitations (1982).  |t High-Tech Primitivism: The Representation of Tribal Societies in Feature Films (1993).  |t What's Left of the Intelligentsia? The Uncertain Future of the Printed Word (1994).  |t Globalization and the Crisis of the Popular (1996).  |t Making Differences, Shifting Boundaries (1994) --  |g 3.  |t Latin American Literature: The Boom and Beyond.  |t Reading Vargas Llosa: Conversation Is Not Dialogue (1971).  |t Lezama Lima in the Paradise of Poetry (1974).  |t The Crisis of the Liberal Imagination and the Utopia of Writing (1976-1977).  |t From Modernization to Resistance: Latin American Literature, 1959-1976 (1978).  |t Dependent Industrialization and Onetti's The Shipyard (1980).  |t The Utopia of a Tired Man: Jorge Luis Borges (1981).  |t Self-Destructing Heroines (1984).  |t Satire and the Dialogues of the Dead: Diachronic Discourse in I the Supreme (1986).  |t Pastiche in Contemporary Latin American Literature (1990).  |t Comic Stripping: Cortazar in the Age of Mechanical Reproduction (1997) --  |g 4.  |t Mexico.  |t Journey to the Land of the Dead: Rulfo's Pedro Paramo (1974).  |t Dominant Ideology and Literature: The Case of Post-Revolutionary Mexico (1976).  |t Women, Fashion, and the Moralists in Early-Nineteenth-Century Mexico (1984).  |t Waiting for a Bourgeoisie: The Formation of the Mexican Intelligentsia in the Age of Independence (1986).  |t Deluded Women (1996).  |t Afterword: The Twilight of the Vanguard and the Rise of Criticism (1994-1995). 
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650 0 |a Women and literature  |z Latin America  |x History. 
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700 1 |a Newman, Kathleen E.  |q (Kathleen Elizabeth)  |0 http://id.loc.gov/authorities/names/n88612471  |1 http://viaf.org/viaf/6878736 
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