Issues of authenticity in Chinese painting : papers prepared for an international symposium organized by the Metropolitan Museum of Art in conjunction with the exhibition "the artist as collector: masterpieces of Chinese painting from the C.C. Wang family collection /
Saved in:
Imprint: | New York : Dept. of Asian Art, Metropolitan Museum of Art, c1999. |
---|---|
Description: | 317 p. |
Language: | English |
Subject: | |
Format: | Print Book |
URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/4237033 |
Table of Contents:
- Foreword
- Contributors
- Chronology
- The Case Against Riverbank: An Indictment in Fourteen Counts
- Notes on the Recent History of Riverbank
- Riverbank: A Recent Effort in a Long Tradition
- On Paintings Attributed to Dong Yuan
- A Comparative Physical Analysis of Riverbank and Two Zhang Daqian Forgeries
- Positioning Riverbank
- The Referee Must Have a Rule Book: Modern Rules for an Ancient Art
- A Tall Pine and Daoist Immortal: An Examination of a Painting Attributed to Chen Hongshou
- Du Jin's Enjoying Antiquities: A Problem in Connoisseurship
- An Early Ming Example of Multiples: Two Versions of Elegant Gathering in the Apricot Garden
- Riverbank: From Connoisseurship to Art History
- Connoisseurship: Seeing and Believing
- Glossary
- Photograph Credits