The complete Capitol studio recordings of Stan Kenton 1943-47.
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| Author / Creator: | Kenton, Stan. |
|---|---|
| Imprint: | Stamford, Conn. : Mosaic, p1995. |
| Description: | 7 sound discs : digital ; 4 3/4 in. |
| Language: | English |
| Subject: | |
| Format: | E-Resource CD Music recording Audio |
| URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/4308425 |
Table of Contents:
- Disc 1. Do nothin' till you hear from me [2 takes] ; Eager beaver [2 takes] ; Harlem folk dance [2 takes] ; Artistry in rhythm ; How many hearts have you broken ; She's funny that way ; I'm going mad for a pad ; And her tears flowed like wine ; Sweet dreams, sweetheart ; Gotta be gettin' ; Say it isn't so ; Ev'ry time we say goodbye ; Are you livin' old man ; Balboa bash ; Ooh, what I dreamed about you ; I want a grown up man ; Travelin' man ; Around the town ; Tampico ; Southern scandal
- Disc 2. Opus in pastels ; It's been a long, long time ; Don't let me dream ; Just a-sittin' and a-rockin' [2 takes] ; Artistry jumps ; Painted rhythm [2 takes] ; Blue music ; Body and soul ; We'll be together again ; Easy street ; On the sunny side of the street ; I surrender dear ; Begin the beguine ; Two moose in a caboose ; Solitude ; No baby, nobody but you ; Never too late to pray ; Tea for two ; One twenty ; Don't blame me ; Intermission riff
- Disc 3. It ain't necessarily so ; I never thought I'd sing the blues ; Artistry in rhythm [opening theme, closing theme] ; Shoo fly pie and apple pan dowdy ; I been down in Texas ; All the time ; That's the least you can do ; Intermission riff ; Four months, three weeks, two days, one hour blues ; Rika Jika Jack ; Artistry in boogie ; Come back to Sorrento ; Who's got a tent for rent ; I got the sun in the morning ; Peg o' my heart ; Come rain or come shine ; They say it's wonderful ; I don't know why, I just do ; He's funny that way ; Lover ; Ain't no misery in me ; Artistry in percussion
- Disc 4. Safranski [2 takes] ; Artistry in bolero ; Until the real thing comes along ; I'm yours ; Yesterdays ; I've got the world on a string ; Ecuador ; End of the world ; More than you know ; Reed rapture ; You may not love me ; That's the least you can do ; Sepulveda ; I'd be lost without you ; Lover man ; Scotch and water ; Coctails for two ; Everybody swing ; It's a pity to say goodnight ; Willow weep for me ; Fantasy
- Disc 5. Concerto to end all concertos [pts. 1-2] ; Collaboration [2 takes] ; Don't want that man around [2 takes] ; Opus in pastels [2 takes] ; His feet too big for de bed ; After you ; Down in Chi-hua-hua ; Machito [2 takes] ; Rhythm incorporated [pts. 1-2] ; There is no greater love ; Across the alley from the Alamo ; How am I to know ; The spider and the fly ; Minor riff ; Lover
- Disc 6. Monotony [2 takes] ; Interlude ; Artistry in Harlem swing ; Please be kind ; I got it bad and that ain't good ; By the River Ste. Marie ; April in Paris ; Don't worry 'bout me ; If could be with you one hour tonight ; Sophisticated lady ; The fatal apple ; Elegy for alto ; Soothe me ; Chorale for brass, piano and bongo ; Curiosity ; Theme to the West ; Abstraction ; Fugue for rhythm section ; Unison riff ; Lament ; Introduction to a Latin rhythm
- Disc 7. Impressionism ; I told ya I love ya, now get out ; He was a good man as good men go ; Cuban carnival ; The peanut vendor ; Lonely woman ; Thermopolae ; Metronome riff ; Introduction to a Latin rhythm ; Journey to Brazil ; How high the moon ; Harlem holiday ; This is my theme ; Bongo riff ; Somnambulism ; Interlude (II).