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00000pam a2200000 a 4500 |
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4327659 |
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20031020103800.0 |
| 008 |
990415s2000 nyu b 000 0 eng |
| 010 |
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|a 99029427
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| 020 |
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|a 0820445258 (hardcover)
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| 035 |
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|a 99029427
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|a DLC
|c DLC
|d OCoLC
|d OrLoB-B
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| 050 |
0 |
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|a ML3850
|b .R45 2000
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| 082 |
0 |
0 |
|a 781.2/2
|2 21
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| 100 |
1 |
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|a Reiner, Thomas.
|0 http://id.loc.gov/authorities/names/n00075246
|1 http://viaf.org/viaf/12517170
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| 245 |
1 |
0 |
|a Semiotics of musical time /
|c Thomas Reiner.
|
| 260 |
|
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|a New York :
|b Peter Lang Pub.,
|c c2000.
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| 300 |
|
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|a xi, 250 p. ;
|c 24 cm.
|
| 336 |
|
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|a text
|b txt
|2 rdacontent
|0 http://id.loc.gov/vocabulary/contentTypes/txt
|
| 337 |
|
|
|a unmediated
|b n
|2 rdamedia
|0 http://id.loc.gov/vocabulary/mediaTypes/n
|
| 338 |
|
|
|a volume
|b nc
|2 rdacarrier
|0 http://id.loc.gov/vocabulary/carriers/nc
|
| 440 |
|
0 |
|a Berkeley insights in linguistics and semiotics
|v vol. 43
|
| 504 |
|
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|a Includes bibliographical references (p. [233]-250).
|
| 505 |
0 |
0 |
|g 1.
|t Introduction --
|t Time: Definitions, Concepts, Realities --
|t Music: Concepts and Cultures --
|t Musical Time: Perspectives and Concepts --
|g 2.
|t The Semiotic Model of Musical Time: Preliminaries --
|t Music and Signs: Signifier, Signified, and Interpretant --
|t Transition from a Model of Communication to the Semiological Tripartition --
|t The Relation between Music's Semiotic Properties and Musical Time --
|t Semiotic Properties of Time: Concepts and External Signifiers --
|t Semiotic Properties of Time: Henri Bergson's Inner Time --
|g 3.
|t The Semiotic Model of Musical Time: Theoretical Outline --
|t Rationales and Basic Features of the Semiotic Model of Musical Time --
|t The Semiological Tripartition of Musical Time --
|t The Inherent Temporality of the Semiological Tripartition --
|t Sound as a Trace of Musical Time --
|t Sonic Traces as Symbols of Time --
|t Non-Sonic Traces of Musical Time --
|t The Poietic Dimension of Musical Time --
|t The Problem of an Unreflective Experience of Musical Time --
|t The Esthesic Dimension of Musical Time --
|g 4.
|t Traces of Musical Time --
|t The Introit Puer natus est nobis: Notational Traces --
|t The Inherent Temporality of Sonic Traces --
|t The Introit Puer natus est nobis: Inherent and Recognizable Temporal Features --
|t John Cage's 4'33": Two Notational Traces --
|t John Cage's 4'33": Sonic Traces --
|g 5.
|t The Poiesis of Musical Time --
|t Relevance of Poietic Factors --
|t Composers and the Poiesis of Musical Time --
|t Igor Stravinsky's Ontological and Psychological Time --
|t Karlheinz Stockhausen's Morphology of Musical Time --
|t Score-Based Poiesis: Irrational Note Values --
|g 6.
|t The Esthesis of Musical Time --
|t Claude Levi-Strauss's Obliteration of Time --
|t Unheard Musical Time --
|t Imperceptible Musical Time --
|t Concepts and Designations as Interpretants of Musical Time --
|g 7.
|t The Semiotic Status of Musical Time --
|t Non-Semiotic Properties, Constituents, and Concepts of Musical Time --
|t Semiotic Properties and Constituents of Musical Time.
|
| 650 |
|
0 |
|a Time in music.
|0 http://id.loc.gov/authorities/subjects/sh88000755
|
| 650 |
|
0 |
|a Music
|x Semiotics.
|0 http://id.loc.gov/authorities/subjects/sh90001927
|
| 650 |
|
0 |
|a Musical meter and rhythm.
|0 http://id.loc.gov/authorities/subjects/sh85089010
|
| 650 |
|
7 |
|a Music
|x Semiotics.
|2 fast
|0 http://id.worldcat.org/fast/fst01030442
|
| 650 |
|
7 |
|a Musical meter and rhythm.
|2 fast
|0 http://id.worldcat.org/fast/fst01030774
|
| 650 |
|
7 |
|a Time in music.
|2 fast
|0 http://id.worldcat.org/fast/fst01151110
|
| 901 |
|
|
|a ToCBNA
|
| 903 |
|
|
|a HeVa
|
| 035 |
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|
|a (OCoLC)41231522
|
| 929 |
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|a cat
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|s 00a9b4bf-3af9-55ec-b50d-f4a26dca3445
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| 928 |
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|
|t Library of Congress classification
|a ML3850 .R45 2000
|l JRL
|c JRL-Gen
|i 4380640
|
| 927 |
|
|
|t Library of Congress classification
|a ML3850 .R45 2000
|l JRL
|c JRL-Gen
|e MENN
|b 56503021
|i 6911569
|
