Semiotics of musical time /
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| Author / Creator: | Reiner, Thomas. |
|---|---|
| Imprint: | New York : Peter Lang Pub., c2000. |
| Description: | xi, 250 p. ; 24 cm. |
| Language: | English |
| Series: | Berkeley insights in linguistics and semiotics vol. 43 |
| Subject: | |
| Format: | Print Book |
| URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/4327659 |
Table of Contents:
- 1. Introduction
- Time: Definitions, Concepts, Realities
- Music: Concepts and Cultures
- Musical Time: Perspectives and Concepts
- 2. The Semiotic Model of Musical Time: Preliminaries
- Music and Signs: Signifier, Signified, and Interpretant
- Transition from a Model of Communication to the Semiological Tripartition
- The Relation between Music's Semiotic Properties and Musical Time
- Semiotic Properties of Time: Concepts and External Signifiers
- Semiotic Properties of Time: Henri Bergson's Inner Time
- 3. The Semiotic Model of Musical Time: Theoretical Outline
- Rationales and Basic Features of the Semiotic Model of Musical Time
- The Semiological Tripartition of Musical Time
- The Inherent Temporality of the Semiological Tripartition
- Sound as a Trace of Musical Time
- Sonic Traces as Symbols of Time
- Non-Sonic Traces of Musical Time
- The Poietic Dimension of Musical Time
- The Problem of an Unreflective Experience of Musical Time
- The Esthesic Dimension of Musical Time
- 4. Traces of Musical Time
- The Introit Puer natus est nobis: Notational Traces
- The Inherent Temporality of Sonic Traces
- The Introit Puer natus est nobis: Inherent and Recognizable Temporal Features
- John Cage's 4'33": Two Notational Traces
- John Cage's 4'33": Sonic Traces
- 5. The Poiesis of Musical Time
- Relevance of Poietic Factors
- Composers and the Poiesis of Musical Time
- Igor Stravinsky's Ontological and Psychological Time
- Karlheinz Stockhausen's Morphology of Musical Time
- Score-Based Poiesis: Irrational Note Values
- 6. The Esthesis of Musical Time
- Claude Levi-Strauss's Obliteration of Time
- Unheard Musical Time
- Imperceptible Musical Time
- Concepts and Designations as Interpretants of Musical Time
- 7. The Semiotic Status of Musical Time
- Non-Semiotic Properties, Constituents, and Concepts of Musical Time
- Semiotic Properties and Constituents of Musical Time.
